Did you know that you can borrow up to 5 eBooks and 5 eAudiobooks at a time with Dublin City Public Libraries? To do so, visit library.bolindadigital.com/dublin and sign in using your library membership card number and PIN.
During Heritage Week we were fortunate to host award winning writer Cecil Allen's entertaining talk about the colourful history of The Queen's Theatre.
On 16 November 1538, the Monastery and lands of All Hallows were surrendered by Prior Walter Handcocke to Henry VIII as part of the Dissolution of the Monasteries. The house and lands of All Hallows were granted by the king to the Mayor, Bailiffs, Commons and Citizens of Dublin on 4 February 1539. The lands included properties in counties Dublin, Meath, Kildare, Louth, Tipperary, Kilkenny and elsewhere. The grant of All Hallows more than doubled the city’s land-bank and led to a reorganization of the Dublin City Treasurer’s office to cope with the increased revenue from leases of All Hallows land. This, the earliest known City Treasurer’s Account Book begins in 1540 largely as a way of ensuring that all moneys from letting this land bank were accounted for.Image: Grotesque, City Treasurer's Account Book. Dublin City Library & Archive MR/35 (1540-1613)In the period covered by this book, the Dublin City Treasurer was usually an Alderman on the Dublin City Assembly who was appointed for an initial period of a year, often renewed. The City Treasurer presented the accounts to the Assembly each year at the fourth Friday after Michaelmas (St. Michael’s Day, 29 September). The book was conserved in the late 19th century, most probably under the direction of Sir John T. Gilbert (who also gave directions that ‘Dublin Corporation’ should be stamped on each page as a security measure, as was done in Les Archives Nationales de France). It was re-bound in reverse calf (now much degraded) and two large bands were applied, one to the head and one to the end of the spine. The front of the original cover has been bound into the front of the book. This is in finely-tanned leather, possibly sheepskin and the holes from the original clasps can be clearly seen. At the top is written (in English):The Tresorye bookeof the Cittie of Du-bline Anno d[omini] MDXLIboght by Thomas Stevins Thresaurer 1541Image: Front cover, City Treasurer's Account Book (click to enlarge)Inside the pages of the book are made of paper and this is the earliest document in the City Archives where paper is used. Paper was first made in China during the Han Dynasty (202 BC to 220 AD). The techniques for making paper reached Europe in the 11th century but spread very slowly, reaching England in 1488. These early papers were made by hand, using cotton and linen rags, which means that they have survived well until the present day. As essentially it’s made of cloth, early paper can be washed if necessary – a procedure which has to be done by a trained paper conservator. (Modern papers are made of wood pulp, usually eucalyptus, which is imported largely from Australia). The paper in the City Treasurer’s book appears to have been imported from France: Professor Padraig O Maicin has identified just one watermark in the book, on folio 42, which is a decorative urn, often used by paper mills in France to identify their work. The pages have lines down them, a practice which is known as ‘chained paper’ and is like ribbing on a knitted jumper, designed to strengthen each sheet. Image: Watermark, City Treasurer's Account Book (click to enlarge)Each page was conserved during the 19th century, with a new edging put onto it using acid-free paper. It is likely that the Treasurer’s Book was suffering from damp as indicated by the staining on some of the pages. The conservator appears to have cut off the worst of the soiled edges – fortunately a substantial margin had been left which means that no text was removed. The numbers throughout the Treasurer’s Book are written in Roman numerals and not in Arabic numerals. Capital letters on some of the pages near to the front of this book have been decorated with grotesques – a sure sign that the scribe entering the accounts was really bored! But in reality researchers have found many stories in the book – they have constructed biographies of many Dublin merchants; described lavish parties held in the city; and recorded visits by the Queen’s Players, a theatre troupe based in London. Image: Grotesque, City Treasurer's Account Book (click to enlarge)Manuscript of the MonthEach month, Dublin City Archives will be showcasing a manuscript from their collections on our blog. Check back next month for the next instalment!See also: Admiral Nelson's casts an eye over the Dublin City Treasurer's Accounts in his latest News from Nelson blog: "Last week I was browsing away and I came across the Dublin City Treasurer’s Accounts 1540-1613. I know – I can hear you say ‘Bor-ring!’ and at first I thought so too." Read more: News from Nelson - Grotesques!
A collection of eight Ordnance Survey maps, donated to Dublin City Library and Archive, constitute a wonderful addition to local and family history for the Terenure Crumlin area in the late 19th century. The maps are folded and bound into one volume, bound in half leather with gilt lettering on the top cover.
Formally named as Byrne (the family later changed their surname to O'Byrne, a practice not uncommon at that time), James O'Byrne was from Lower Mayor Street in Dublin's North Wall area.Young James was recruited to the city libraries as a 'boy' library assistant in 1913 and from that time was assigned to the Charleville Mall, North Strand library.
Autograph books were a popular way to collect the signatures and other messages from well-renowned poets and artists in Ireland during the 20th Century. Jill Noone, Teresa Kelly, and Mary Ryan were among those who kept autograph books. All three books contain notes, poems, playbills, drawings, and autographs from a number of local performers and high-profile individuals and are now housed at Dublin City Library and Archive. Taken together, these autograph books highlight the growing importance and popularity of the arts and local, Irish figures.Image: Painting of flowers from Teresa Kelly's autograph book (Ms-161-37)Jill Noone’s autograph book (Ms 129), dated 1922-1925 contains the signatures of a number of different individuals, many of whom left poems and stories along with their signatures. Miss Noone herself was a contralto in the Sligo Philharmonic Society Chorus, and her autograph book features a signed programme.Teresa Kelly’s autograph book (Ms 161) contains signatures from an eclectic group of people. Her book features poets, artists, and musicians in addition to those unrelated to the arts. Many of the autographs in her book were originally written on scraps of paper and note cards and later added to the book. Some noteworthy signers include Colonel James Fitzmaurice, a pilot who made made the first successful Trans-Atlantic aircraft flight from East to West and tennis player Alice Marble. Kelly’s autograph book contains signatures in both the English and Irish languages.The autograph book (Ms 71) belonging to Mary Ryan is particularly noteworthy as it boasts a number of famous signatures. Many of the autographs in Ryan’s book pertain to the Peacock and Abbey Theatres in Dublin as well as the Irish Literary Revival. Poet William Butler Yeats and author Lady Gregory were two of the founders of the Abbey Theatre whose autographs are collected in the book. Yeats's brother, the artist Jack, also signed the autograph book. Other theatre related personnel such as Hilton Edwards, Lennox Robinson, Frank Fay, and Barry FitzGerald have also signed the book. Not all of the signers were directly related to the arts, however, as the autograph book also boasts the name of politician Éamon De Valera. Many signers of the autograph book left their best wishes alongside their name, while others still wrote poems and songs in the book as well.Autograph books provided a way for ordinary citizens to connect with well-known individuals and have a souvenir of their encounter. Many of the people who signed the autograph books were local figures in the worlds of the arts, athletics, and politics; these autograph books can be seen as a tangible source of national pride.About our Guest BloggerThis blog was put together by Kaitlin Marie Owczarski, undergraduate at the University of Virginia, Charlottesville, VA, USA; History major, class of 2017. Kaitlin interned at the Dublin City Library and Archive through the EUSA internship program.
During the Easter Rising of 1916 many Dublin residents, caught in the middle of the fighting, recorded their experiences in diaries and journals. Herbert Victor Fleming and Nora Marion Fitzpatrick were among those to do so. Fleming, a store manager, and Fitzpatrick, a V.A.D. nurse, were both loyal to England and regarded the Sinn Féin Rebels as traitors and the enemy. Their vivid descriptions of destruction and survival remain captured in their diaries for generations to come.Image: Page 1 of Nora Marion Fitzpatrick's 1916 DiaryHerbert Fleming’s Diary excerpt:"All the roads covered with dead and dying horses and wounded people... I then tried to get home but cannot. The bridges into the city held by Rebels."Fleming’s diary expresses his shock and fear as he struggles to survive as a civilian living in a warzone. On the constant search for food and news, Fleming is forced to leave the confines of his home and risks a volley of bullets each time he goes out. He makes daring trips through Dublin with the hopes of securing a meal for his family and friends. Fleming’s diary reveals the terror of a civilian whose world is turned upside down and into chaos as he worries about the safety of his loved ones and mourns the loss of a dear friend.Herbert Fleming’s Diary excerpt:"Rebels evidently trying to escape or get into the city. A boom of cannons up the mountains. City all in darkness except for the flames. As we stood in the road the bullets whining over and in front of our heads. We don't mind them now and you can hear soldiers shooting back."Nora Fitzpatrick, a Red Cross nurse, quickly offered up her services to those in need. Nora and her sister Jeannie, who was also a nurse, were soon put to work by the military. The two sisters were constantly at work. They took wounded soldiers into their own home, and provided intelligence to the British troops. They spent days without sleeping and bathing, and had little to eat as well. Fitzpatrick’s account describes her interactions with the military, rebels, and civilians alike. Her status as a Red Cross nurse earned her access to places and people that were off limits to ordinary citizens.Taken together, both Fleming’s and Fitzpatrick’s diaries highlight a number of similar themes. Both diarists battled hunger and extreme danger during the course of the rebellion. Interestingly enough, while the horrors of battle were at first frightening, both authors soon became used to the danger and carnage. Indeed, as Nora Fitzpatrick concluded her account, ‘after the first ‘baptism by fire’, one does not mind the bullets whizzing round.’Both diaries were donated to Dublin City Library and Archive. Nora Fitzpatrick’s diary (Ms 190) was donated by John Braga, great nephew of Nora and Jeannie [b13389786]. Herbert Fleming’s diary was donated by Joe Connell [b27173239].page 1 and 53 of Victor Fleming's 1916 diary, and Page 1 and 26 of Nora Fitzpatrick's 1916 diary:About our Guest BloggerThis blog was put together by Kaitlin Marie Owczarski, undergraduate at the University of Virginia, Charlottesville, VA, USA; History major, class of 2017. Kaitlin interned at the Dublin City Library and Archive through the EUSA internship program.
A native of Omagh, Co. Tyrone, ‘Mick’ McGinn was an ‘old’ Fenian who had been a Tyrone IRB leader since the 1870s and had spent a lot of his life in British jails. McGinn was a close personal friend of Thomas Clarke, who was seven years his junior.
The Battle of the Somme was the largest and bloodiest battle fought on the Western Front during World War I. It was fought between 1 July and 18 November 1916 and left more than 1 million men wounded or killed on both sides, including 3,500 Irish men (read some of their stories as recorded in the RDFA Archive). In our minds, the Somme signifies the horror of war especially the inexorable hardship, suffering and futility of trench warfare.Image: Detail from DCLA/RDFA1.09.047A "War 1914-15-16... in the Somme French Offensive Relieving the trenches at Dompierre" (see larger image).If you would like to read about the Battle of the Somme we have compiled this short reading list. The Somme Stations. Novel by Andrew Martin. Detective Sergeant Jim Stringer who joined the North Eastern Railway Battalion at the start of the war, now finds himself at the front during the Battle of the Somme. Jim and his fellow soldiers are responsible for operating important trains carrying munitions.Birdsong. Novel by Sebastian Faulks. Account of the first day of the battle. See also Philip Martin's TV adaptation of Birdsong starring Eddie RedmayneObserve the sons of Ulster marching towards the Somme. Play by Frank McGuinness.Harry Clarke's War: Illustrations 1914-1918 by Marguerite Helmers. Examines Harry Clarke’s beautiful engravings, of great historical significance, for Ireland’s Memorial Records – the Roll of Honour of Ireland’s First World War Dead. (The Roll of Honour can be accessed via Findmypast, a family history database, available in the Reading Room)The Face of Battle by John Keegan. Detailed analysis of the Battle of the Somme from renowned military historian John KeeganFather Browne's First World War by E.E. O'Donnell. Photographs by Irish Jesuit and prolific photographer Francis Browne. Browne was chaplain to the Irish Guards from 1916 - 1920, serving at the Battle of the Somme and at Locre, Wytschaete, Messines Ridge, Paschendaele, Ypres, Amiens and Arras in Flanders.The Road to the Somme: Men of the Ulster Division tell their story by Philip OrrAn Illustrated Introduction to the Somme 1916 by Robert ParkerThe First Day on the Somme by Martin MiddlebrookBelfast Boys: How Unionists and Nationalists fought and died together in the First World War by Richard Grayson. The story of men from either side of West Belfast’s sectarian divide who went to fight in the Great War, including the volunteers of the 36th and 16th divisions who fought on the Somme. Listen to Richard Grayson's 'Belfast Boys' talk from Festival of History 2015.We have many more books on the subject of the Somme available.The Central Library book display for July is 'Ireland - The Great War - The Somme'.
Listen to historian Donal Fallon discuss the history of commemorating the 1916 Rising, while looking at events such as the first anniversary in 1917, the often-violent Easter parades of 1930s Dublin and the fiftieth anniversary in 1966.Recorded on Thursday 23 June 2016 at 6.30pm in Dublin City Library and Archive as part of the Dublin City Council 1916/2016 Centenary Programme.