Thanks for bearing with us as we work to resolve teething problems with our new online system. Your library service now has its own online catalogue where you can search and reserve items and log in and manage your account. The online catalogue for Dublin City members is https://dublincity.spydus.ie
‘The book is better’ is a well rehearsed librarian’s film review. Well usually the book is better, but in this case, ‘Jaws’ is the original summer block busting film and a watershed (pardon the pun) in cinema history. You can’t turn on the television these days without ‘Jaws’ or the sequels being screened on one station or another. Everybody can quote the lines, wear the t-shirt, and play the theme tune on the piano. But what of the book from which it originated?To some extent the success of the film resulted in the book being eclipsed and latterly somewhat dismissed. But the novel sold 5.5 million copies in USA by the time the film was even released. Written by Peter Benchley, published in February 1974, ‘Jaws’ spent 44 weeks on the New York Times bestseller list. The film rights to the book were bought before it was even published, with the film directed by Steven Spielberg shot and released shortly after in June 1975. So it’s got to be worth a read right?FilmThe characters are recognisable from the film, but differ in many regards. Similarly the story varies on major areas of plotline, not least who survives to tell the tale, and the fate of the fish. The story is pretty much akin to the film - a great white shark is dining on bathers off the coast of Amity a seaside resort town, Long Island, New York.The local police chief tries to temporarily close the beaches to keep bathers from harm, and figure a way to deal with the shark. He finds there are more slippery fish to deal with on land than the one in the water. Particularly in wrangling corrupt Mayor Vaughan and his selectmen who want to retain those tourist dollars and keep the beaches open for financial health of Amity.The chief must hire Quint and Hooper’s expertise, leave his wife and kids, and take to the seas to deal with his community’s pest control issues. So far so familiar, but there are key differences which make this an edgier take than the film, and may for some, be unpalatable.Chief Martin Brody born and bred in Amity is a blue collar cop, wary of the well healed out of towners who invade the island every summer. He is a man of duty and pragmatism in service to his community. Quite a lot of the films lighter moments are channelled through Spielberg’s chief Brody. But Benchley’s Brody is sullen; he wears his working class roots in earnest, his police stripes with great pride, and his authority with dedication. Benchley’s Brody is wracked with self doubt and insecurities about his worth and potency. He is driven by a will to prove his value and protect those around him.BookBook version Ellen Brody is a different fish to the film version Ellen Brody. Benchley’s Ellen Body is to an extent a trophy wife. She’s a step up for Brody from his own people. She’s missing her life before marriage and children. She fears she settled for Martin Brody. Her need to feel vital sees her turn sexual predator, her flirtations leading to subsequent infidelity that will either drive her away from or back into her husband’s arms. She’s not the Spielbergian archetypical Mom and certainly won’t be offering anyone coffee ice-cream.Mayor Larry Vaughan is willing to sacrifice consumers to keep beaches and business open. Exploiting the coastal environment in which he exists, he maintains devotion to the almighty dollar. Benchley doesn’t give Vaughan a moment of humanity – he’s not a crazy anchor motifed suit wearing caricature. There is no ‘My kids were on that beach too’ moment of redemption here. Vaughan is the villain. In fact it transpires in the book Vaughan is actually protecting a real estate deal with mafia investment. To Mayor Vaughan the shark is an economic problem, not a public health issue. Benchley’s Mayor Larry Vaughan is the manifestation of rogue materialism. Vaughan eventually cuts his losses and does a runner.Ichthyologist Matt Hooper is a charmless man. He is a rich graduate, slick, egotistical and unlikable. He is a man of science, but conversely not a man of reason. Potentially he may be able to control nature, but as we see he cannot even curb his own desires. His dalliance with another man’s wife, in satisfying his lust and realising his blinkered selfish will, is a harbinger of wherein lies his fate. His scientific equipment and college earned education are all there is between him and the shark. There is no bottle of red and white wine, this Hooper doesn’t care about anyone except himself.Quint is a professional shark hunter the skipper on a small vessel called the Orca. Quint is the indigenous sage. He knows things about his local environment. He has learned through experience not books. Quint though is driven by his will to conquer and master all he surveys. He uses instinct and brute force. Quint in the book is particularly cruel and nihilistic- a harpoon too far in the books case. (I have to say at this point that Robert Shaw’s ‘Indianapolis Speech’ is the best scene in ‘Jaws’ bar none, maybe even the best film monologue ever. ‘So eleven hundred men went in the water, 316 men came out, the sharks took the rest, June the 29th 1945. Anyway, we delivered the bomb’. But Benchley didn’t write it).The shark is dispassionate, a cold eyed monster, with no anthropomorphic traits, its motivation is pure survival. The shark can be read as anti-capitalist allegory, the shark as a basic threat to profit that must be eradicated. Or the shark may represent the unpredictable force/ mans primal fear of nature. Or some sort of castration symbolism and comment on modern manhood. Or whatever you’re having with your chips and mushy peas. The shark in the book ‘Jaws’ doesn’t have the same fate as the film.The shark hunting in the book is a matter of livelihood, and prestige. The relationship between the men on the Orca is tense and terse – ego reigns. They do not get along and seem to really hate each other. There is no bonhomie, no joining together. They are all motivated by separate drives. If they just put aside ego and operated as a collective, for the greater good, they might stand a better chance of survival. But with this individualism - who lives, who dies is unpredictable – can they redeem themselves?Book versus filmSo why bother with the book if the film is so good? Well the book is a solid page turner and a great summer read. It is a rawer take on all scores than the film. ‘Jaws’ can be read in COVID-19 days as a teaching on the pandemic, the economy, on political mistrust. A basic indiscriminate force of nature threatens death upon a society already beset by problems. Politicians protect the economy ahead of public health. Business as usual reigns in the hopes the contagion will kill only a few in its lifetime and burn itself out.Alright it may be regarded as a dime store read but it actually has a literary lineage. ‘Jaws’ greatly resembles Henrik Ibsen’s play ‘An Enemy of the People’ in which the mayor of a small spa town copes with a water contamination that might drive away the tourists and the town’s chance of survival. The comparisons to Herman Melville’s ‘Moby Dick’ too are inevitable, with the pursuit at all costs of a large fish. And it’s not so far-fetched as you’d imagine either - the book is reminiscent of the Jersey Shore shark attacks of 1916, where fatalities numbered 4, and 1 seriously injured by a bull shark.‘What had once seemed shallow and tedious now loomed in memory like paradise’, Peter Benchley.Submitted by Sleeve Notes Drumcondra Library.
Now that you have seen almost every movie and TV show ever made you have probably realised that it is no coincidence that great books, in the right hands, often make great movies and television.From Normal People, and Game of Thrones, to The Lord of the Rings and The Godfather, now is a great time to read the original book versions using either our ‘Call and Collect’ service. And, if you are having problems finding an item don’t forget to try the “Ask a Librarian” service.Normal People by Sally RooneyConnell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years.This is an exquisite love story about how a person can change another person's life - a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us - blazingly - about cycles of domination, legitimacy and privilege. Alternating menace with overwhelming tenderness, Sally Rooney's second novel breathes fiction with new life.Longlisted Women's Prize for Fiction 2019. Longlisted Australian Book Industry Award 2019. Winner Costa Book Award 2018. Submitted by Manus in Pearse Street Library.Access eBooks/eAudiobooks on your phone, tablet or reader if you prefer too! Once you have installed the app, search for Dublin in the ‘Library’ field provided and then sign in using your library membership card number and PIN. Watch our how to video on Borrowbox. Members of other library authorities will need to log in using a different link.
In this episode of the DCLA podcast, Michelle Read reads the first three stories featured in The Long Gaze Back. Michelle Read, is an actor and voice artist and an advocate of reading aloud for adults. She reads ‘The Purple Jar’ by Maria Edgeworth; ‘Frank's Resolve’ by Charlotte Riddell; ‘Poisson d'Avril’ by Somerville and Ross.
In this episode of the DCLA podcast, Nuala O’Connor and Lia Mills read from their short stories ‘Shut your mouth Hélène’ and ‘The Crossing’ before discussing flash fiction, the historical short story, the tyranny of plot, and how editing styles differ on each side of the Atlantic.
Mulcahy has always been interested in the relationship between population and the planet and is deeply concerned about the future of mankind as it ignores the well-being of our planet home. As in previous publications, he warns us about the limitations of Planet Earth as the home of man and other living creatures.Whilst he takes a gloomy view of our future on this earth, he puts forward solutions that might prevent the final cataclysm. In this book, the author’s main argument describes the detrimental impact of over-population on the sustainability of planet Earth.On the Survival of Humanity by Risteárd MulcahyIn this book, the author’s main argument focuses on the detrimental impact of over-population on the sustainability of planet Earth. Referencing studies both old and new, ranging for example from ‘An Essay on the Principle of Population’ by Thomas Robert Malthus’ from1798 to the UN Population Division, his prognosis foretells a future of increasing world population size and decreasing natural resources. Appealing to world leaders to engage seriously with this topic, he points out potential solutions in order to regain an improved equilibrium between humanity and the natural world. Starting out with a fable set in 2050 in which new strict regulations are in place for society to survive, the book finishes leaving us to ponder on our own behaviour and that of governments.Access eBooks/eAudiobooks on your phone, tablet or reader. Once you have installed the app, search for Dublin in the ‘Library’ field provided and then sign in using your library membership card number and PIN. Watch our how to video on Borrowbox. Members of other library authorities will need to log in using a different link.Recommended by Mairead from the Relief Staff Panel.
‘Alone in Berlin’ and ‘A Whole Life’ - books by German authors.
Our colleague Charlotte is sharing her views on two books by German authors. I always try to get keep in touch with literary developments in Germany which is where I am from. Lately, I have come across two wonderful German novels, one originally published in 1947, the other in 2014. Both celebrate the lives of ordinary people but in very different ways.Hans Fallada (1893 – 1947) was a bestselling German writer during the early 1930s. He published a number of well-known novels about ordinary people trying to get on with life. Eventually, he fell foul of the Nazis and, despite trying to keep a low profile, was under constant threat of persecution. Fallada died in 1947, two years after the end of the Nazi rule. Alone in Berlin, his last novel, was published posthumously. It is one of the first anti-Nazi novels published after World War II. Largely forgotten until re-discovered and translated into English in 2009, it became an international bestseller more than 60 years after its publication.Inspired by the real-life story of a Berlin couple who were executed in 1943 for treason, the novel describes life under the Nazi regime in Germany and the resistance of ordinary people. When Anna and Otto Quangel’s son is killed in World War II, the quiet and unassuming couple decide to call on others to resist the tyranny of the Nazi regime. They distribute postcards with anti-Hitler messages around Berlin. Soon they are being tracked by the Gestapo. Fallada’s novel paints a haunting picture of the atmosphere of fear, suspicion and intimidation in 1940 Berlin and Fallada leaves no doubt what his view of the Nazi regime is. An unforgettable book.In contrast to Fallada’s book, Robert Seethaler’s novel A Whole Life is the work of a contemporary artist. Robert Seethaler is an Austrian writer and well-known actor who has published several books, ‘A Whole Life’ being his best-known work outside of German-speaking countries. It was nominated for the Man Booker International Prize 2016 and The International Dublin Literary Award 2017. Like Fallada, Seethaler writes about the life of an ordinary person, Andreas Egger. Egger lives most of his life in a remote valley in the Austrian Alps. He is an outsider, barely tolerated by the farming family who take him in as an orphan and make him work for his keep. His life is hard and without comforts. Events outside the valley (the book spans the time from 1902 until 1977) are barely mentioned. Egger only ever leaves his valley as a soldier during World War II and on short working trips. Egger’s happiest time is his short, ill-fated marriage to Marie and yet, this is not a sad book. It is a gentle, wistful reflection on life in its simplest form and on the happiness that can be found in acceptance and solitude. A wonderful, tender novel.Access eBooks/eAudiobooks on your phone, tablet or reader. Once you have installed the app, search for Dublin in the ‘Library’ field provided and then sign in using your library membership card number and PIN.Members of other library authorities will need to access BorrowBox using a different link.
Although I am way past reading young adult fiction (agewise, that is), I do love it. I devoured ‘The Hunger Games’ by Suzanne Collins and ‘The Divergent Trilogy’ by Veronica Roth. So when a borrower recommended the ‘Tearling Trilogy’ by Erika Johansen, I gave it a try and I was hooked.The ‘Tearling Trilogy’ is a dystopian novel with elements of fairy tales and dark magic. The first book, The Queen of the Tearling, is set in an area called the Tearling somewhere in the middle of a mystical ocean around three hundred years after the 9/11 events in the United States. Time is counted as before and after ‘the Crossing’ when a small group of citizens fled a dictatorial United States to set up their own utopian territory. The main character, Kelsea Glynn, is a feisty young woman who had been hidden away and brought up in secret after her queen mother had mysteriously disappeared and thought to have been murdered.Kelsea has been prepared for her future role from childhood onwards and yet she has been kept in the dark about the kingdom’s dark past and present. When she turns nineteen, she inherits a deeply divided country full of corruption and dark powers that is subjugated by the Red Queen of rivalling kingdom, Mortesme. Kelsea sets out to win the support of her people and to defend the Tearling with the help of the Royal Guard who are sworn to defend the Queen to the death.In the subsequent books, The Invasion of the Tearling and The Fate of the Tearling, as Kelsea fights the Red Queen and her army, she develops a mysterious connection to the pre-Crossing United States and to a woman called Lily Mayhew. Through Lily she learns about the time before the Crossing which might hold the key to her own and the Tearling’s survival. This trilogy is a crossover between adult and older young adult fiction. Judging by the reviews on Goodreads, it seems that this is one of those novels that you either love or hate. I loved it.Access eBooks/eAudiobooks on your phone, tablet or reader. Once you have installed the app, search for Dublin in the ‘Library’ field provided and then sign in using your library membership card number and PIN. Members of other library authorities will need to access BorrowBox using a different link.Submitted by Charlotte from Donaghmede Library.
In this episode of the DCLA podcast, The Long Gaze Back authors Bernie McGill, Lia Mills and Éilís Ní Dhuibhne read from their work and talk with Sinéad Gleeson about the anthology, their work, and being a female author in Ireland today.Recorded at Blanchardstown Library on 12 April 2018, with thanks to Fingal Libraries.
In this episode of the DCLA podcast, Looking Forward, Gazing Back, writers June Caldwell and Sinéad Gleeson and theatre maker and campaigner Lian Bell of #WakingTheFeminists movement discuss the practices, processes and contexts of Irish women’s writing today.