Beidh Leabharlanna Chathair Bhaile Átha Cliath dúnta ó dé Sathairn 3 go dtí Luain 5 Meitheamh 2023 (araon san áireamh). Athosclóidh leabharlanna brainse Dé Máirt, 6 Meitheamh.
I feel at home in the 18th century. I’ve no desire to live here permanently, without 21st-century comforts and modern medicine, but to come as a visitor to a beloved destination. I am acquainted with many of Dublin’s citizens through their writings and through newspaper reports of their actions and concerns. I feel I know them well, I know their wives or husbands, and their children, and I know what they enjoyed to read, which gives me an insight into their minds and hearts. The layout of the city is also familiar to me and I can make my way around without getting lost, or feeling like an alien.Crossing the Liffey from the north side you come over Essex Bridge. Rebuilt in 1755, it’s now a good wide roadway, which allows two coaches to pass safely and ample footpaths that allow street traders to sell their wares. They have got rid of the equestrian statue of George 1 in the centre of the bridge as it was causing an obstruction in the river. (View the Rocque Map in our online catalogue)Click thumbnails to view larger images.I love to stand on the bridge and watch the ships tied up at the Custom House unloading their cargoes. The crane is working steadily lifting the heavy loads. Tea, spices, wine, sugar, paper and books are all unloaded here and sent off around the city in trundling carts. The city’s merchants bustle around all day looking important with clipboards and anxious frowns. Their new Royal Exchange building, just opened last year, is looking very fine at the top of Parliament Street. I believe there is a new coffee room running the length of the north front of the building upstairs where they can carry on business in comfort. I still like the old exchange in Crampton Court and I know lots of the merchants say that the new building is an expense that they cannot afford, although we all know that most of the money was raised through lottery schemes. (See Views of Dublin from 1780).Parliament Street is our newest street, forged through the old tangle of lanes and streets on the recommendation of the Wide Streets Commissioners. The street is wide and airy, its proportions taken from width of Essex Bridge. Its purpose was to give a grand view of Dublin Castle from the river, but now the view focuses on the classical façade of the Exchange.Into Skinner Row you can stop for coffee and a look at the day’s newspapers in Dick’s Coffee House. Upstairs to the drawing room, or first floor, of Carbery House, with its lovely wainscoting and large windows letting in plenty of light, you can sit by the fire, sip your coffee, glance at the papers, and listen to the conversations all around you. I have heard that this fine old timber-framed building is due for demolition. What a loss that will be!
The Irish Texts Society was founded in London in 1898. The initiative to establish the Irish Texts Society came from another Irish organisation based in London, the Irish Literary Society (ILS), founded in 1892. According to the 1895-6 annual report of the ILS “preliminary steps have been taken to form an Irish Texts Society for the publication of modern Irish works”. As a result a provisional sub-committee was appointed to investigate the project.
Travellers: Images of Labre Park, Ballyfermot, 1968 and 1969
Labre Park was the first site built specifically for Travellers by a Local Authority in Ireland. It was opened in September 1967 at a cost of £50,000 and consisted of 39 concrete 'tigíns' in a row off Kylemore Road. Each 'tigín' was composed of a living room with a stove, a lavatory, and a place to wash. Residents of Labre Park slept in their caravans which were parked beside or behind each 'tigín'. Rents at Labre Park ranged from ten to thirty shillings per week.
Dublin in the late 18th century was a consumer paradise. A building boom had resulted in fine streets and squares of classical houses. Interior design flourished with ornate plasterwork ceilings, painted wallpaper, beautiful furniture of polished wood and gilt, paintings and sculptures, print collections, and libraries filled with books in exquisite bindings.
The Civil War In Dublin: Images from Irish Life (July 1922)
On 28 June 1922 the forces of the Provisional Government of the Irish Free State, led by Michael Collins, attacked the Anti-Treaty garrison at the Four Courts. This action is generally believed to mark the beginning of the Irish Civil War. The images in this gallery are taken from a special supplement to the Irish Life newspaper that was published on 14 July 1922 entitled 'Ireland's Tragic Week'. Each photograph was accompanied by a short text.
Hallowe'en is sometimes thought of an American feast, with its trick-or-treating, pumpkins, fancy dress parties and scary movies, but long before this – indeed, as far back as Celtic times - our ancestors celebrated Samhain, the beginning of the dark time of the year. The Ghost Town Image Gallery showcases the Irish, and specifically Dublin, traditions of past times, with more than a nod to the celebrated Gothic writers and the haunted places of the city.
Dublin City Libraries plans to digitise some of its early books and manuscripts, in order to bring the history of the city before a wider public. Many of the proposed works are hard to find and are very expensive to buy. The Picture of Dublin 1811 is the first in the series and it is being used as a pilot project to assess the value of the project.
The Commissioners for making Wide and Convenient Ways, Streets and Passages in the City of Dublin was established by an Act of Parliament in 1757. The Commission had extensive powers with the authority to acquire property by compulsory purchase, demolish it, lay down new streets and set lots along the new streets to builders for development.
'The Jacks Are Back' image gallery celebrates the greatest sports team this city has produced. Up da Dubs! These images were taken from the Dublin City Council Photographic Collection and The Reading Room's extensive collection of GAA match programmes. The images taken from contemporary programmes featured in this gallery are copyright of Cumann Lúthchleas Gael/Gaelic Athletic Association.
Almost 2,000 pictures compose the collection known as the Dixon Slides. The varied contents include photographs taken by Frederick Dixon in the 1960s and 1970s, book illustrations, postcards, advertisements and older photos of events around Dublin. The main focuses of the collection are Dublin city and its buildings.