Thanks for bearing with us as we work to resolve teething problems with our new online system. Your library service now has its own online catalogue where you can search and reserve items and log in and manage your account. The online catalogue for Dublin City members is https://dublincity.spydus.ie
Reading James Joyce’s Ulysses with Dublin City Libraries
2022 marks the centenary of the publication of James Joyce’s Ulysses. Considered to be one of the most important and influential novels ever written, this masterpiece of fiction follows Leopold Bloom as he makes his way around Dublin on 16th June 1904.
“Bloomsday,” is thought to be the day that he had his first date with his future wife, Nora Barnacle and is named after one of the protagonists from Ulysses, Leopold Bloom. By the time Nora Barnacle and Joyce finally married in 1931, they had lived together for 27 years, traveled the continent and had two children. The couple first met in Dublin in 1904 when Joyce struck up a conversation with her near the hotel where Nora worked as a chambermaid. She initially mistook him for a Swedish sailor because of his blue eyes and the yachting cap he wore that day, and he charmed her so much that they set a date for June 14 but she didn’t show. He then wrote her a letter, saying, “I looked for a long time at a head of reddish-brown hair and decided it was not yours. I went home quite dejected. I would like to make an appointment but it might not suit you. I hope you will be kind enough to make one with me—if you have not forgotten me!”. This led to their first date, which supposedly took place on June 16, 1904. One of Joyce’s signed erotic letters to Nora fetched a record £240,800 ($446,422) at a London auction in 2004.Movie TheatreThere are about 400 movie theaters in Ireland today, but they trace their history back to 1909, when Joyce helped open the Volta Cinematograph, which is considered “the first full-time, continuous, dedicated cinema” in Ireland. More a money-making scheme than a product of a love of cinema, Joyce first got the idea when he was having trouble getting Dubliners published and noticed the abundance of cinemas while living in Trieste. When his sister, Eva, told him Ireland didn’t have any movie theaters, Joyce joined up with four Italian investors (he’d get 10 percent of the profits) to open up the Volta on Dublin’s Mary Street. The venture fizzled as quickly as Joyce’s involvement. After not attracting audiences due to mostly showing only Italian and European movies unpopular with everyday Dubliners, Joyce cut his losses and pulled out of the venture after only seven months. The cinema itself didn’t close until 1919, during the time Joyce was hard at work on Ulysses. (It reopened with a different name in 1921 and didn’t fully close until 1948.)Ernest HemingwayErnest Hemingway met Joyce at Shakespeare and Company, and was later a frequent companion among the bars of Paris with writers like Wyndham Lewis and Valery Larbaud. Hemingway recalled the Irish writer would start to get into drunken fights and leave Hemingway to deal with the consequences. "Once, in one of those casual conversations you have when you're drinking," Hemingway said, "Joyce said to me he was afraid his writing was too suburban and that maybe he should get around a bit and see the world. He was afraid of some things, lightning and things, but a wonderful man. He was under great discipline—his wife, his work and his bad eyes. His wife was there and she said, yes, his work was too suburban. 'Jim could do with a spot of that lion hunting.' We would go out to drink and Joyce would fall into a fight. He couldn't even see the man so he'd say, 'Deal with him, Hemingway! Deal with him!'"Shakespeare and CompanyJoyce began writing Ulysses in 1914, and by 1918 he had begun serializing the novel in the American magazine Little Review with the help of poet Ezra Pound.But by 1921, Little Review was in financial trouble. The published version of Episode 13 of Ulysses, “Nausicaa,” resulted in a costly obscenity lawsuit against its publishers, Margaret Anderson and Jane Heap, and the book was banned in the United States. Joyce appealed to different publishers for help including Leonard and Virginia Woolf’s Hogarth Press but none agreed to take on a project with such legal implications (and in Virginia Woolf’s case, length), no matter how supposedly groundbreaking it was. Joyce, then based in Paris, made friends with Sylvia Beach, whose bookstore, Shakespeare and Company, was a gathering hub for the post-war expatriate creative community. In her autobiography, Beach wrote: All hope of publication in the English-speaking countries, at least for a long time to come, was gone. And here in my little bookshop sat James Joyce, sighing deeply.It occurred to me that something might be done, and I asked : “Would you let Shakespeare and Company have the honour of bringing out your Ulysses?”He accepted my offer immediately and joyfully. I thought it rash of him to entrust his great Ulysses to such a funny little publisher. But he seemed delighted, and so was I. Undeterred by lack of capital, experience, and all the other requisites of a publisher, I went right ahead with Ulysses.Access eBooks/eAudiobooks on your phone, tablet or reader. Once you have installed the app, search for Dublin in the ‘Library’ field provided and then sign in using your library membership card number and PIN. Watch our how to video on Borrowbox. Members of other library authorities will need to log in using a different link.
Charles Dickens, one of the most popular and accessible novelists died 150 years ago in June 1870. His novels are still popular and they have been adapted for television and cinema. They have been turned into popular musicals on stage and screen. Many novelists have acknowledged his influence and expressed admiration for his novels.At the age of twelve he was sent to work in a blacking factory by his affectionate but feckless parents. From these unpromising beginnings, he rose to scale all the social and literary heights, entirely through his own efforts. When he died, the world mourned, and he was buried - against his wishes - in Westminster Abbey. Yet the brilliance concealed a divided character: a republican, he disliked America; sentimental about the family in his writings, he took up passionately with a young actress; usually generous, he cut off his impecunious children.Dickens created an array of memorable characters - Miss Havisham dressed in her wedding finery every day since she was jilted at the altar in Great Expectations. The contrasting characters Mr. Micawber and Uriah Heep in David Copperfield. In David Copperfield, the novel he described as his favorite child, Dickens drew revealingly on his own experiences to create one of his most exuberant and enduringly popular works, filled with tragedy and comedy in equal measure. One of the most swiftly moving and unified of Charles Dickens’s great novels, Oliver Twist is also famous for its re-creation through the splendidly realized figures of Fagin, Nancy, the Artful Dodger, and the evil Bill Sikes of the vast London underworld of pickpockets, thieves, prostitutes, and abandoned children. Victorian critics took Dickens to task for rendering this world in such a compelling, believable way, but readers over the last 150 years have delivered an alternative judgment by making this story of the orphaned Oliver Twist one of its author’s most loved works.His novels were originally published in instalments in weekly or monthly magazines. This is the reason there are some dramatic “cliffhanger” scenes which made the reader want to know what happened in the next instalment. This helps to make them “pageturners” for modern readers. (It also allowed Dickens to get feedback from his readers about what they thought of his stories and characters before he had finished his novel!)There are 24 ebook and eaudiobook copies of Dickens’ novels available on Borrowbox and you will also find there an excellent biography of the author by Claire Tomalin.Claire Tomalin is the award-winning author of eight highly acclaimed biographies, including: The Life and Death of Mary Wollstonecraft; Shelley and His World; Katherine Mansfield: A Secret Life; The Invisible Woman: The Story of Nelly Ternan and Charles Dickens; Mrs Jordan's Profession; Jane Austen: A Life; Samuel Pepys: The Unequalled Self; Thomas Hardy: The Time-Torn Man and, most recently, Charles Dickens: A Life. A former literary editor of the New Statesman and the Sunday Times, she is married to the playwright and novelist Michael Frayn.Submitted by Philip in Finglas Library.Access eBooks/eAudiobooks on your phone, tablet or reader. Once you have installed the app, search for Dublin in the ‘Library’ field provided and then sign in using your library membership card number and PIN. Watch our how to video on Borrowbox. Members of other library authorities will need to log in using a different link.
‘Alone in Berlin’ and ‘A Whole Life’ - books by German authors.
Our colleague Charlotte is sharing her views on two books by German authors. I always try to get keep in touch with literary developments in Germany which is where I am from. Lately, I have come across two wonderful German novels, one originally published in 1947, the other in 2014. Both celebrate the lives of ordinary people but in very different ways.Hans Fallada (1893 – 1947) was a bestselling German writer during the early 1930s. He published a number of well-known novels about ordinary people trying to get on with life. Eventually, he fell foul of the Nazis and, despite trying to keep a low profile, was under constant threat of persecution. Fallada died in 1947, two years after the end of the Nazi rule. Alone in Berlin, his last novel, was published posthumously. It is one of the first anti-Nazi novels published after World War II. Largely forgotten until re-discovered and translated into English in 2009, it became an international bestseller more than 60 years after its publication.Inspired by the real-life story of a Berlin couple who were executed in 1943 for treason, the novel describes life under the Nazi regime in Germany and the resistance of ordinary people. When Anna and Otto Quangel’s son is killed in World War II, the quiet and unassuming couple decide to call on others to resist the tyranny of the Nazi regime. They distribute postcards with anti-Hitler messages around Berlin. Soon they are being tracked by the Gestapo. Fallada’s novel paints a haunting picture of the atmosphere of fear, suspicion and intimidation in 1940 Berlin and Fallada leaves no doubt what his view of the Nazi regime is. An unforgettable book.In contrast to Fallada’s book, Robert Seethaler’s novel A Whole Life is the work of a contemporary artist. Robert Seethaler is an Austrian writer and well-known actor who has published several books, ‘A Whole Life’ being his best-known work outside of German-speaking countries. It was nominated for the Man Booker International Prize 2016 and The International Dublin Literary Award 2017. Like Fallada, Seethaler writes about the life of an ordinary person, Andreas Egger. Egger lives most of his life in a remote valley in the Austrian Alps. He is an outsider, barely tolerated by the farming family who take him in as an orphan and make him work for his keep. His life is hard and without comforts. Events outside the valley (the book spans the time from 1902 until 1977) are barely mentioned. Egger only ever leaves his valley as a soldier during World War II and on short working trips. Egger’s happiest time is his short, ill-fated marriage to Marie and yet, this is not a sad book. It is a gentle, wistful reflection on life in its simplest form and on the happiness that can be found in acceptance and solitude. A wonderful, tender novel.Access eBooks/eAudiobooks on your phone, tablet or reader. Once you have installed the app, search for Dublin in the ‘Library’ field provided and then sign in using your library membership card number and PIN.Members of other library authorities will need to access BorrowBox using a different link.
In April and May of 2017 Dolphin's Barn Library hosted a series of workshops where young historians learned how to combine research, storytelling, drawing and digital animation to tell a tale from Irish history.Expert facilitators included historian Conor Kostick and author and illustrator Alan Nolan. The result is this exciting video set in Dublin 1920.