Music Lending, a smash hit at Pearse Street Library
Instrument Carousel - a partnership between Girls Rock Dublin and Dublin City Libraries was a smash hit with all the teenagers in Pearse Library on Culture Night last Friday. Instrument Carousel was an opportunity for participants to explore their musical potential.It marks the launch of the “GRD Gear Library”, the gear loan service designed for teenagers by Girls Rock Dublin & Dublin City Libraries. Sixteen teenagers took over the Library in a fun & loud experiment involving electric guitars, basses, synths, keyboards & drums. By moving through different rooms and engaging with GRD coaches, participants learned a song on each instrument, and finished by performing the song together.Girls Rock Dublin is a non-profit, volunteer-led organisation that builds girls’ self-esteem through music creation and performance. Providing workshops and technical training, GRD creates leadership opportunities, cultivates a supportive community of peers and mentors, and encourages social change and the development of life skills. From Culture Night any teenager who is a member of Dublin City Libraries can borrow their preferred instrument for three weeks. All you need is your library card!Teenagers will need the signature of a parent or guardian when completing the membership form. Their parent or guardian will need to bring photo I.D. and proof of address. Get access to great online resources, borrow books, DVDs and now musical instruments! There are no fines and you can use your card in any library in Ireland. Joining is easy. Call into Pearse Street library and borrow what you like. The GRD Gear Library is a collection of instruments, amplifiers and musical accessories that Girls Rock Dublin are now making available through Dublin City Libraries all year round. The collection is made up of donated gear from people in the community who value the work of Girls Rock Dublin and from purchases made from funding received with thanks to Reverb.com. GRD Gear Library also welcome donations of 'gear'.The library is an ongoing project, more pics from Culture Night 2019 on flickr. Dublin City Libraries are free,fun and easy to use. Find out more.
Have you ever wanted to learn how to sing or to play an instrument? Do you want unlimited access to the best in video-based art & music instruction? Would you like all this for free?If your answer is yes to all of the above, then we have just the online resource for you!ArtistWorks for Libraries provides Dublin City library members with world-class instruction through self-paced video lessons from Grammy Award–winning music and artistic professionals.From introductory to advanced lessons, ArtistWorks offers everything needed for musical and artistic instruction, as follows: Beginner to advanced music instruction for the most popular string and band instruments Instruction from professional musicians Art and voice classes Video-based lessons with bookmarking features On-the-go learning with 24/7 remote access Browser-enabled access for desktop and mobile devicesArtistWorks features these lessons and many more: Acoustic Guitar Ukulele Harmonica Electric Bass Banjo Piano Percussion Mandolin Rock Guitar Art Singing Flute Register for ArtistWorks at https://www.rbdigital.com/dublincity/ with your Dublin City library card number.
This week I have had the great pleasure of visiting Massachusetts and presenting a paper at the annual national meeting of the American Conference for Irish Studies held in Boston. It was my second time attending such a gathering, having also presented a paper on Dublin poet Maeve Cavanagh MacDowell two years ago, when ACIS met in Kansas City, Missouri. This time around I spoke about the life of Dora Maguire, another woman who happened to be profiled in R. M. Fox’s 1935 book of essays Rebel Irishwomen.Whereas the likes of Maud Gonne and Countess Markievicz became legends in their own lifetimes, Dora Maguire (1889-1931) was perhaps the most obscure of Fox’s dozen ‘Rebel Irishwomen’. A friend of the author, she died aged forty-one in February 1931 after years of ill-health. During my paper I spoke about Maguire’s upbringing in England and the north of Ireland, time spent in Blackburn and London during the First World War (when she worked as a nurse and developed suppressed diphtheria and tuberculosis), decision to move to Ireland around the time of the War of Independence, and employment at St. Ultan’s Children’s Hospital in Ranelagh during the 1920s.I then focused at length on her arrest in 1925 over an incident at the Princess Cinema in Rathmines. Evolving into an ardent republican during her adulthood, Maguire was indignant at the time about the screening across Dublin of short films concerning the Prince of Wales’ recent dominion tour of South Africa. Entering the “Prinner” – as the Princess Cinema was known to locals – on 6th August 1925 with an inkpot hidden on her person, Maguire stood up and hurled her makeshift missile over the heads of the theatre orchestra as soon as the offending picture was shown, causing considerable damage to the screen and generating newspaper headlines.Surviving foyer plaque from the Princess Cinema, the scene of Dora Maguire's arrest in August 1925. Known locally as "The Prinner", the cinema closed its doors in 1960 and was demolished in 1982 (Photograph courtesy of Carol Dunne, Dublin City Libraries).This incident is the focus of The Spirit of Dora Maguire, an historical comic strip by Dublin artist Aidan J Collins. Some artwork from this creation, which came about in 2018 following a talk I gave in Dublin on Maguire’s life the previous year, can be seen below:Blueprint still from an animated video by Aidan J Collins. This is based on one of the panels from his 2018 historical comic strip The Spirit of Dora Maguire (Courtesy of Aidan J Collins).On Monday 20th May 2019 I will be teaming up with Maeve Casserly (Historian in Residence, South East Area) for a joint talk about Dora Maguire and St. Ultan’s Children’s Hospital at Rathmines Public Library. The event starts at 6:30pm and all are welcome to attend.Dr. James Curry, Historian in Residence, North West Area.Dublin City Council Historians in Residence are available to meet groups and schools, give talks, walks etc, run history book clubs and advise on historical research.
History Document of the Month: Rally round the banner boys!
Gerald Crofts (1888–1934) was one of a small group of musicians and lyricists who made a huge contribution to the Irish independence movement in the early 20th century. He came from Capel Street originally, where his family had a shop and he was a popular singer. His brother Joseph was a composer who arranged the words and music for this marching song, which was dedicated to Crofts.Gerald had joined the Irish Volunteers in 1914 and he was a close friend of some of the leaders of the Rising. He was imprisoned in Dartmoor and Lewes prisons in England and suffered poor health for the rest of his life. Crofts continued his republican activities after his release from prison although he was curtailed in what he could do by a problem with his hands, which meant he could not hold weapons. Family papers suggest that he was involved in intelligence work with Michael Collins. In the later years of his life he was well known for singing his friend Constance Markiewicz’s anthem 'A Battle Hymn’ (dedicated to the Irish Citizen Army) at political gatherings and concerts. He died on 14th November 1934. History Document of the MonthEvery month the Dublin City Council Historians in Residence will be highlighting a document from Dublin City Public Libraries and Archives Digital Repository. An image of the selected document will be on display in branch libraries during the month.Historians in Residence are available to meet groups and schools, give talks, walks etc, run history book clubs and advise on historical research.
Dublin supported James II at the Battle of the Boyne, but following his defeat by William III, a protestant ascendancy resumed control of the city and began to forge links with the new and successful monarchy. This process intensified after the death of Mary II in 1695 left William III as sole monarch. Dublin Corporation added William’s arms to the City Sword in 1697 and in the following year, the king presented a chain of office to the Lord Mayor of Dublin, carrying the monarch’s bust on a medallion, which is in use to this day.But these expressions of loyalty were not sufficiently public for the City Assembly, which early in 1700 decided to erect a statue of the king, to be placed on a pedestal in the old Corn Market. From the inception of this project, the Assembly was aware that the statue could become a focus for protest by Jacobite supporters, and decreed that it should “be defended with iron banisters”.  Two Dublin merchants, Henry Glegg and John Moore, who were on business in London, were asked to commission the sculptor Grinling Gibbons to execute an equestrian statue of the king in copper or mixed metal and a contract was signed on 9 April 1700. In fact, the statue was executed in lead. Gibbons was to be paid £800 sterling in four instalments: £200 on signing the contract, the same again two months later, a further £200 when the statue was shipped off, and the final £200 when the statue had arrived and was in position. The Assembly then decided that the statue should be placed, not in the Corn Market, but in a more prominent location, in College green. It was also agreed that the stones of St. Paul’s gate in the city walls, which had been demolished by alderman George Blackall, should be used to make a pedestal for the statue. The statue was unveiled on 1 July 1701, which was the 11th anniversary of the Boyne (following the Julian calendar in use at the time). The lord justices, who were guests of honour, were “entertained by publicly running out some wine” – presumably so they could have the fun of watching the populace scramble for a drink. The event became a yearly one, with a parade around the statue, and volleys of muskets fired in the air. Some security was afforded to the statue when the city Plumber, Alexander Erwin, was paid £13-0s-9d for “fastening the iron work around the king’s statue” and this afforded adequate protection to the monument for the best part of ten years. This honeymoon period ended in 1710. The City Assembly was informed that on Sunday 25 June “some persons disaffected to the late happy revolution, did offer great indignities to his late majesty, king William of glorious memory, by breaking and defacing some part of his statue erected on College Green”.  In fact, his sword and truncheon were broken off. The lord mayor, Sir John Eccles, believing that the attack was fuelled by drink, ordered that a “strict inquiry be made in the several public houses what guests were [there] at unseasonable hours” on the evening of 25 June. The authorities at Dublin castle offered £100 for information and the city offered a further reward of £50, which was claimed by a local man, Richard Markham. The guilty parties were Trinity students who were expelled from the college. But attacks on the statue continued. In October 1714 a truncheon, which was in the king’s hand, was broken off and removed and in 1715, the year of the first Jacobite revolt in Scotland, the Corporation decided to build a watch house beside the statue and post a couple of sentinels there.Protestant sentiment continued in Dublin throughout the 18th century. The position of William III’s statue outside the Parliament House, made it a focus of the Volunteer rallies which took place in College Green in the 1770s. The Lord Mayor’s Coach, which was commissioned by the Corporation and built in Dublin by William Whitton, was carved with unionist symbols, including orange lilies to honour William III. The Coach was first unveiled on 4 November 1791, when it led a procession to mark the Birthday of William III – a procession which took place each year thereafter. Equally, there was a Catholic reaction, and in 1798 the sword was removed and an attempt was made to saw off the kingly head. In 1805, supporters of Catholic Emancipation covered the horse with a mixture of tar and grease, while in 1837 the figure was blown completely off the horse.  It is said that Surgeon-General Sir Richard Crampton, who was a tremendous snob, was at a dinner party in St. Stephen’s Green when a distraught man came to the door looking for him and saying: ‘You must come quickly Sir – a most distinguished gentleman has fallen off his horse in College Green!’ Whereupon Sir Richard rushed off – to find king William’s statue prone on the ground! On this occasion the statue was repaired by John Smyth, whose father was the more famous sculptor Edward Smyth.(Plinth of King William's Statue)The statue of William III continued to excite controversy well into the 19th century. In 1842, city architect Hugh Byrne recommended that the cut stone base and iron railing around the statue were so defective that they should be removed and replaced and the finance committee was instructed to do so.  In spite of these precautions, the statue continued to suffer physical attacks necessitating repairs, which were conscientiously carried out: in 1843 alone, such repairs cost the City Council more than £73. But after the Home Rule Party seized control of Dublin City Council in 1880, this careful attention was not applied to the city’s statues and in 1888 they were reported as being dirty, with William III’s statue also being dangerous.  A report about the statue in the following year, found that it was indeed dangerous, with the horse in particular having sustained several cracks with a likelihood of it falling into the street and causing injury. The City Engineer recommended that the statue should be repaired – at a modest cost of £35 – and that a new site should be found for it at Foster Place, away from traffic. It was also suggested that a plaque should be added recording that the monument had been restored by the Corporation of Dublin during the Mayoralty of the Right Hon. Thomas Sexton. However, although the repairs were carried out, the statue remained in College Green. Even though the City Council members were largely nationalist, there was no suggestion that the statue should be removed altogether and a proposal from John Erskine of Belfast, offering to purchase it, met with the abrupt rejoinder ‘The Statue is not for sale’.  Anc. Rec. Dublin, VI, p. 232. Ibid. Surviving works by Gibbons in Ireland include a monument in St. Patrick’s Cathedral Dublin to Narcissus Marsh, archbishop of Armagh, and two in Kinsale, Co. Cork to the Southwell family. See Edward McParland, ‘A monument by Grinling Gibbons’ in Irish Arts Review (Yearbook, 1994), pp 108-9. Anc. Rec. Dublin, VI, p. 235. Ibid., VI, pp 237, 239. Anc. Rec. Dublin., VI, 248-9. The lord justices were Henry Moore, 3rd earl of Drogheda; Narcissus Marsh, archbishop of Dublin; and Hugh Montgomery, 2nd earl of Mountalexander. T.W. Moody, F.X. Martin, F.J. Byrne, A New History of Ireland, IX, (Oxford, 1984), p. 491. Anc. Rec. Dublin, VI, 256.  Ibid. VI, pp 416-7. Ibid., VI, pp 416-7. DCA, MR/36: Dublin City Treasurer’s Account Book, 1651-1717, fol. 622b. Markham was paid £50 ‘for discovering the Persons that did Deface the Statue of King William’ but their names are not given. Anc. Rec. Dublin VI, pp 540-1. This pattern of attacks on the statue of William III lasted throughout its history. It was finally blown up by the old I.R.A. on 11 November 1928, the 10th anniversary of Armistice Day. Dublin City Council disposed of the shattered pedestal in 1929, as it was judged to be a hazard to traffic. Cliona Cussen, ‘Public Sculpture: a cautionary tale, or Ni Neart go baint da cheile’ in Sculptors Society of Ireland, vol. 10, no. 4, 1989. Frederick O’Dwyer, Lost Dublin, (Dublin, 1981), p. 27. City Council manuscript minutes, vol. 11, pp 185-6. Ibid., vol. 12, p. 146. Dublin City Council minutes, 1888, item 180 Dublin Corporation Reports, 1889, vol. 3, pp 61-2. Dublin City Council minutes, 1889, items 257, 281
The e-resource featured in this week’s blog is World Book Online. A suite of three websites from the publishers of the famous World Book encyclopedias. Supplying you with accurate information at age appropriate levels in a controlled safe learning environment.From pre-primary to secondary school – from the wobblers and toddlers to tweenies – World Book provides fast and accurate information at every level in an immersive learning environment. The information is reliable, age-appropriate, and easy to read and comprehend.· Early World of Learning for ages 3 to 6 years: this is a resource for preschoolers and children in early primary education. Developed with experts on early childhood education, it offers rich resources designed for the younger child.(An example of a webpage on World Book Online)· Kids for ages 7 to 11 years: this is a premier reference website developed especially for young students. It features an intuitive user interface, thousands of easy-to-read articles packed with stunning illustrations, videos, interactive maps, and a wealth of engaging games and activities.(Example of the search function on World Book Online)· Student for ages 12 to 15 years: this contains numerous tools to engage users in 21st-century education and blended-learning practices.(Further example of the search function on World Book Online)And best of all, it’s free with your Dublin City Public Libraries membership card.See World Book Online for more details.
Whatever your area of interest, we have an online resource for you. Today we’re going to take a look at The Great Courses Library Collection. This resource gives our library members access to an amazing world of knowledge.It is comprised of hundreds of videos on subjects ranging from Cognitive Behavioural Therapy to chemistry, from the fundamentals of photography to learning French, from astronomy to art, from history to health, and much, much more.No matter what you’re interested in, you’ll find your favourite subject here. All the courses are taught by experts in their fields, including for example National Geographic’s master photographer Joel Satore and celebrated astrophysicist Neil deGrasse Tyson. Features include: · Unlimited access via RB Digital mobile apps and browsers.· Easy-to-use features with no commercials or interruptions so you can learn at your own pace.· New courses added every month.· Interactive, engaging, entertaining, and visually dazzling videos that make learning fun. And best of all, it’s free with your Dublin City Public Libraries membership card. See DCPL eResources for a full listing of our online resources.
Autumn is the perfect time to turn over a new leaf and try something new!Why not start learning a new language, try a university course, develop your digital skills for work and/or leisure, pick from over 400 free online courses or enrol for the Lord Mayor's Certificate in Oral History. Here are just some of the learning opportunities available at your library this Autumn.The Lord Mayor’s Certificate in Oral HistoryThe Lord Mayor’s Certificate in Oral History is offered by Dublin City Council as part of its commitment to life-long learning. The course will equip participants with skills in the preparation and conduct of oral history projects, including best practice in the collection and archiving of oral history interviews. It examines the wealth of recorded oral narrative sources in Ireland in both oral history and folklore.Classes are held on Monday evening to facilitate attendance by a broad range of people. Commencing in September 2017, the course will be taught at Pearse Street Library, Dublin 2. The closing date for applications is 5pm on Friday 15 September 2017.Communiversity ProgrammeCommuniversity is a programme where people can attend higher education courses in the familiar surroundings of their local library. The initiative is facilitated by Dublin City Public Libraries in conjunction with the Northside Partnership, Dublin South City Partnership, Ballyfermot Partnership and the Department of Adult and Community Education, Maynooth University. Students have completed modules in local history, politics and philosophy, economics, psychology and Chinese studies and media studies.The programme is run once a year over a number of weeks. If you are interested in attending Communiversity programme, please enquire at the following libraries: Ballyfermot, Coolock, Dolphin’s Barn and Walkinstown.Getting Citizens OnlineGetting Citizens Online is an initiative of the Department of Communications, Energy and Natural Resources. This programme offers 10 hours free tuition to a complete beginner at Cabra and Coolock Libraries this November. By the end of the course, learners will know how to use the internet from setting up email, to using search engines and making calls over the internet.Other course content looks at specific government online services, social media, video, tv and radio, instructional videos on Youtube and some digital photography. The following libraries will provide this course on tablets which are very easy to use. The course is run in the mornings and afternoons.Basic internet searching will be available in other locations throughout the year. Please email [email protected] for further information.Open Learning Centre ProgrammeUpskill in languages and basic computer applications with two excellent resources available from the Open Learning Centre in the Central Library.Utalk is a language app tool widely used for improving language.With Microsoft Imagine Academy, you can access a suite of programmes such as Word, Excel, PowerPoint and Outlook. You can benefit from an extensive digital curriculum and certifications for fundamental technology skills as well as courses critical for success in today’s technologically evolving world.You can use the above from anywhere once you first sign up at the Open Learning Centre 01 8734333 / [email protected] Class: eResourceUniversal Class offers a unique online education experience. There are over 400 courses available on a diverse range of subjects. Learn to create a website, plan on writing a novel, overcome your fear of maths or touch up some old photos. You will never be bored with Universal Class. There is something here for everyone.The courses involve real instructors to guide your learning and video-based lessons. Register using your Dublin City Library membership card barcode number. Register atwww.LGMA.universalclass.com/register.htmlYou can learn in your own time, at your own pace.Mango Languages: eResourceMango Languages is an online resource that teaches real conversations in over 70 foreign languages. Use your library membership card barcode number to register and create a username and password. You can use Mango on your phone or tablet by downloading the Mango Languages App from Google Play - Android | iTunes - iOS. Please note that once registered for Mango, you will need to follow the link from our website whenever you wish to login and use the service (i.e. bookmarking the Mango page will not suffice).Happy learning!
Touch-type Read and Spell - Online Computer Course
The Central Library, Ilac Centre, is currently offering Touch-type Read and Spell (TTRS), an online computer course. As well as developing typing skills, TTRS is designed to benefit students of all ages who experience spelling, reading or writing difficulties. Students with dyslexia or literacy issues have found it helpful. This is a multisensory, structured, online course which assists students to learn at their own pace either in the library or at home. The Central Library has a number of licences available free to library users.Gillian Harris of the National Adult Literacy Agency ( NALA) comments:"NALA's Distance Learning Service is a free service where learners study online by themselves or work with tutors over the phone. A number of our distance learners have used Touch-type Read and Spell (TTRS) to work on their spelling. The learners enjoy using the resource and there is great flexibility in that they can choose when and how often they use it.""The availability of the TTRS learning tool from Dublin City Public Libraries is an important socially inclusive development and one which will assist a range of learners. It is also relevant in the context of the Right to Read national initiative which aims to greatly enhance literacy levels throughout the country. This initiative is being delivered by local authorities through a nationally coordinated framework for literacy support and development." Margaret Hayes, Dublin City Librarian.For further information please contact:Fiona Shortt at 01 8734333 or email [email protected]
Please Note: Transparent Languages Online, has now been replaced by Mango Languages (12 February 2016).Dublin City Public Libraries is pleased to announce a free online language learning service, Transparent Languages Online from 1st October 2013. This free learning system offers:Unlimited access to courses in over 80 supported languagesEnglish learning from 24 languagesEnglish learning for Beginner and Intermediate levelsLearn to listen, speak, read and writeLanguage learning on the go with Byki MobileYou can register for the service using your library borrower number located on your library card. You will then be asked to create a profile on the TLO website with username and password. This will enable you to track your own learning and log on from PCs in branch libraries, from home and on mobile devices (laptops, tablets, smartphones).This is a great addition to the language learning facilities already available via CD, and MP3 players in branch libraries, and the Tell Me More service available through the Open Learning Centre, in the Central Library.