blog

At the end of the 1720s Jonathan Swift was at the height of his literary powers, he had published the best-selling Travels into several remote nations of the world by Lemuel Gulliver (Gulliver’s travels) in 1726, which had run to many editions by the end of the decade, he had written extensively on Irish affairs and was a household name in Dublin and London. Swift was well connected in the literary and social world, he was a friend and correspondent of poet Alexander Pope, and dramatists John Gay and William Congreve.Image right: Engraved portrait of SwiftHe kept up to date with literary trends and purchased books by contemporary authors. In 1728 a young French author living in London published a new version of his historical poem in French, called La Henriade, written in praise of King Henri IV of France.  François Marie Arouet de Voltaire (1694-1778) published his poem by subscription and the subscription list reveals his important patrons and supporters. Swift was a friend and correspondent of Voltaire’s, they were probably introduced by their mutual friend Alexander Pope. When Swift intended to visit France in June 1727 Voltaire wrote letters of introduction to the Comte de Morville, secretary of state, and Monsieur de Maisons, ‘both desirous and worthy of yr acquaintance’. Voltaire was an admirer of Swift’s work and in 1728 he wrote ‘the more I read your works, the more I am ashamed of mine’. (The correspondence of Jonathan Swift edited by Harold Williams)La Henriade title page (click to enlarge)In December 1727 Voltaire had written to Swift requesting him to encourage Irish readers to subscribe to the forthcoming publication, ‘can I make bold to intreat you to make some use of yr interest in Ireland about some subscriptions for the henriade, which is almost ready and does not come out yet for want of little help the subscriptions will be but one guinea in hand’. This was an expensive purchase, but many Irish subscriptions were gathered by Swift. By March 1728 La Henriade was published, Swift is listed as a subscriber to the book as is George Berkeley, William Congreve, Lord Carteret, the Lord Lieutenant, and many of the nobility and gentry of Great Britain and Ireland. Swift was well able to read French and some of his correspondence is in French. He spoke in French with the Huguenot clergy who ministered from the Lady Chapel in St Patrick’s Cathedral.List of subscribers to La Henriade including Rev. Dean Swift (click to enlarge)When Swift’s library was sold after his death in 1745 La Henriade is among his collection, as well as Voltaire’s An essay upon the civil wars of France, translated into English and published in Dublin in 1728, and The history of Charles XII, King of Sweden, published in London in 1732.An Essay upon the Civil Wars of France by Voltaire (click to enlarge) The Swift and Dublin exhibition will run in the Dublin Room at Dublin City Library and Archive, Pearse Street until 25 February 2017.See Also:Jonathan's Swift's gardenJonathan Swift's LibraryJonathan Swift: freeman of DublinThe Swift and Dublin exhibition will run in the Dublin Room at Dublin City Library and Archive, Pearse Street until 25 February 2017.

In the winter of 1729 – 1730 Jonathan Swift, Dean of St Patrick’s Cathedral, Dublin, was awarded the freedom of Dublin city by special grace. This was the highest honour the city could bestow on him.

The area around the mouth of the River Liffey was inhabited from at least Neolithic times by farmers and fishermen. The great arc of Dublin Bay offered an inviting harbour for sea-going vessels, although its sand banks, shallows, slob lands and treacherous currents proved an obstacle to larger shipping in reaching safe anchorage upriver. This image gallery explores the course Liffey as it runs through the city.

The Orchestra of St Cecilia Collection includes concert programmes, posters, flyers, correspondence, programme notes, recordings, soloists and conductor’ biographies and administrative documents. Access to the collection provides unparalleled insight into the processes involved in professional orchestra and event management from the turn of the twenty-first century through recession times in Dublin. Find out more and view some items from the Orchestra of St Cecilia Collection...Dublin City Library and Archive.

Listen to Liz D’Arcy talk about conserving the Wide Street Commission Maps. Hear how she painstakingly removed sellotape, cleaned, repaired and strengthened these important maps.   Liz D'Arcy, Paperworks, Studio for Paper Conservation is qualified with an MA in Conservation of Fine Art on Paper. Liz is an accredited member of the 'Institute for Conservation of Historic and Artistic works in Ireland' (I.C.H.A.W.I) and a member of the 'Irish Professional Conservators and Restorers Association' (I.P.C.R.A).Between 1757- 1851, the Wide Street Commission had a major impact on the development of the city, transforming it from a medieval city to the Dublin we know today.  Its function was to provide “Wide and Convenient Streets” for Dublin and it had extensive powers to acquire property by compulsory purchase, develop new streets, demolish buildings and impose design standards on building lots which were sold to developers. Dublin City Archives hold the Wide Street Commission Archives, which comprises maps, minute books and drawings. www.dublincityarchives.ieRead more about the conservation project and view Wide Street Commission map collection image gallery.Search and browse the Archive of the Wide Street Commission Maps online.Conserving Wide Street Commission Maps - TranscriptAudio only:Recorded at Dublin City Hall on 24 August 2016 at Dublin City Archives' 'Living in Georgian Dublin' seminar. Part of Heritage Week 2016 programme.Dublin City Archives is grateful to the Heritage Council of Ireland for funding under the Heritage Management Project Scheme 2016 to conserve 23 Wide Street Commission Maps in 2016. Conservation NoticeIn order to reduce handling damage and to ensure the long term preservation of these fragile maps, all researchers are requested to view the digitised images in the first instance. High-Res versions can be provided on request. Viewing of original maps is strictly by appointment only: please apply to [email protected]. Please note: A minimum of 3 days notice is required to process your request and a maximum of 10 maps may be ordered per visit. 

Listen to Harold Clarke's charming account of restoring the beautiful Georgian building, no. 19 North Great George's Street.

Kildare is a county that is steeped in rich culture from the horse racing fields of the Curragh to the beautiful canals that flow through villages and towns like Sallins and Athy.  The Grand Canal is an ideal place for activities like angling, boating, canoeing, sailing and rowing, the banks of the canal are very popular for walking and cycling. There are many former churches and castles dotted around Kildare that add to the scenery of this fine Irish county.St Patrick’s College Maynooth (below, click image to view larger version) was founded in 1795 as a seminary for the education of priests and by 1850 had become the largest seminary in the world.  The Bishops began to look for a site and it was desirable that the college be near Dublin.  This seminary was urgently needed because in the seventeenth and eighteenth centuries it had not been possible to educate Catholic priests in Ireland.  The chapel, built by public subscription, was initiated by Charles W. Russell, President from 1857 to 1880.  St Patrick’s College also has a university as part of the campus.  Thousands of students from the four corners of Ireland and abroad attend the university each year.Naas Courthouse (below, click image to view larger version) was constructed in 1807 to a design by Architect Richard Morrison, it was extended in 1860 when the four columned portico was positioned as it is today.  The Naas Courthouse was the original meeting place of the Poor Law Guardians who held their monthly meetings as did their successors Kildare County Council, from 1899 until the building was badly damaged by fire in the 1950s, which caused them to move to St. Mary’s.  The Criminal Courtroom was the setting for many films, due to its remarkable resemblance to the Old Bailey in London.Theobald Wolfe Tone one of the leaders of the 1798 Rebellion, was a leading figure in the United Irishmen Irish Independence movement and is regarded as the father of Irish Republicanism.  After his death he was buried at Bodenstown, Kildare in 1798 near to Sallins where his family had a farm (below, click image to view larger version).The Japanese Gardens (below, click image to view larger version) were devised by Colonel William Hall Walker, a wealthy Scotsman from a famous brewing family, the gardens were laid out by Japanese master horticulturist Tassa Eida and his son Minoru.  Their aim was, through trees, plants, flowers, lawns, rocks and water, to symbolise the ‘Life of Man’.  That plan was completed to perfection and Eida’s legacy is now admired by the 150,000 visitors who soak up the peace of the gardens every year.In conclusion Kildare is a great place for either a short visit or holiday and Kildare also has a good transport network. From my work scanning the photographs I noticed that bicycle and horse and cart were popular forms of transport in the 1950s. Click images below to see larger versions. . The Fáilte Ireland Tourism Photographic Collection was donated to Dublin City Library and Archive.  The black and white negatives and colour slides date from the 1930s until the 2000s, they give a significant amount of visual information about Kildare throughout the decades.About our Guest BloggerThis blog post was submitted by Deirdre Coleman while on work experience in Dublin City Library and Archive, October 2016. 

In this podcast, architects Klaus Unger and Stephen Kane present a history of Dublin City's main thoroughfare, O'Connell Street, formerly named Sackville Street. Hear about the unique design features of some of its famous landmark buildings and the stories behind them.  Klaus and Stephen outline the origins of O'Connell Street area as it evolved from the tangle of medieval Dublin, before discussing the influence of the Wide Street Commission, Lord Gardiner, and renowned architects Edward Lovett Pearce, Richard Cassels, Gandon and Francis Johnston (Nelson's Pillar).

On 1 October 1916, just five months after the Rising, Ireland relinquished its individual time zone and adopted Greenwich Mean Time. With the introduction of daylight saving and the end of summertime that year Dublin’s time was aligned to that of London.Right: Time (Ireland) Act 1916 (click to view larger image)For 36 years Ireland’s time was set on the longitude of Dunsink Observatory, and was 25 minutes 21 seconds later than Greenwich. This had implications for trade and commerce, as well as communications and travel. Up to the late 19th century time was not standardised and each area set its own clocks. The Time Act of 1880 established Greenwich Mean Time for Great Britain and Dublin Mean Time for Ireland.The Time (Ireland) Act 1916, which came into effect on the night of 30 September 1 October as all clocks were put back 35 minutes, streamlined the time zones, and Ireland adopted Western European Time, set on the Greenwich meridian. Many in the nationalist movement saw this as a further erosion of Ireland’s ability to make decisions for itself. However, after Independence, the question of the time zone was not revisited. With this act Ireland was brought into the standardised time zones which were effective across Europe.About The Reading RoomThe Reading Room is located on the first floor, Dublin City Library and Archive, 138-144 Pearse Street, Dublin 2. It is open from 10am to 8pm Monday to Thursday and from 10am to 5pm on Friday and Saturday, and does not close for lunch. A Research Card is available, please enquire at the Issue Desk. 

During Heritage Week we were fortunate to host award winning writer Cecil Allen's entertaining talk about the colourful history of The Queen's Theatre.