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Pop up library
8 August 2025
Dublin City Libraries are delighted to be holding three Outdoor POP UP Libraries in Wolfe Tone Square this August. Join us on the 16th, 23rd and 30th August from 11am to 4pm.

Weavers and The Liberties

The Dublin City Library and Archive holds a beautiful image of the old Weaver’s Hall on The Coombe Dublin, a  building still fondly remembered by older citizens in the area. The image shows a dignified guild hall, with a statue of King George II by Van Nost holding shuttles and other implements used in the weaving process set in an alcove above the main entrance. Although the Weaver’s Hall is long gone, there is still a lot of evidence of this once major industry that existed in this area over a 1,000 year timespan. The most obvious are various placenames. Weaver’s Square off Cork Street, and the adjacent Ormond Street commemorated both the Huguenot weavers who settled here in great numbers from the late 1600’s and the man who invited them over, the Duke of Ormond. Nearby Newmarket was constructed in the 1670’s by the Earl of Meath in response to this rapidly growing industry, to facilitate trade in wool, hides and flax and also the finished products. The Earl also included space for his own market, and this added to the unique shape and layout of Newmarket, still with us today.Above: Illustration showing statue of George II in niche on first floor facade.Earlier evidence of weaving has also been found in recent archaeological excavations prior to new developments in The Liberties. Items from the Hiberno-Norse era, such as whorls, spindles, weights and bone needles have been found, together with evidence of a thriving cap and scarf/shawl industry in both wool and dyed, watered silk  - an indication of ‘high status’ - being found.Above: Framed painting of Weaver's House in the Liberties by Rose Barton.The imposition of tariffs and taxes on the Dublin weavers eventually caused the slow decline of this tradition, but not before it re-invented itself into other related industries.  The manufacture of poplin gave way to a significant upholstery industry, providing seating, padding and also lace for carriages, the mode of transport at the time.  Later, with the coming of the motor-car, a thriving industry arose specialising in ladies and gents motor scarfs and mufflers. Frys of Cork Street also announced that it was possible to get the latest in bow-ties to finish the ensemble!Above: Horse-drawn Omnibus, Westmoreland Street, Dublin (circa 1865). Courtesy: National Library of Ireland (Original)Today, there is a renewed interest in this oldest of trades, with the Botany Weavers – the one remaining company near Dolphin’s Barn who operate from premises that once housed the City Woollen Mills and who are key suppliers to Aer Lingus and City Jet, recently announcing an expansion to its business, thus continuing a tradition of 1000 years of weaving in this area.Blog post by: Cathy Scuffil, Historian in Residence,Dublin South Central.
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12 September 2019

Liam Ó Briain’s Insurrection Memories 1916

Last May, I was delighted to attend the Dublin launch of a book entitled 'Essays by an Irish Rebel: revolution, politics and culture' by Liam Ó Briain.  A very enjoyable read, the book features twenty-five essays by the Dublin academic and revolutionary Liam Ó Briain (1888-1974), all of which were published in Irish from 1934 to 1968, as well as three appreciations of the author.All have now been edited and translated into English by Eoin Ó Dochartaigh, a retired doctor from Galway who graduated from University College Galway (now NUI Galway) and knew Ó Briain as a family friend.Above: Eoin Ó Dochartaigh speaking at the launch of his edited book 'Essays by an Irish Rebel: revolution, politics and culture', at the Mansion House in May 2019.The launch inspired me to read 'Insurrection Memories 1916', a complimentary volume described by historian Owen Dudley-Edwards as ‘a rich memory of a great man’. This personal account of the Easter Rising was first published in Irish in 1951 as 'Cuimhní Cinn'. In 2014 Fran O’Brien, the author’s grand-niece, translated the work into English and published it as a bilingual volume. Two years later, to mark the centenary of the Easter Rising, Ó Dochartaigh then brought out a new translation. Like 'Essays by an Irish Rebel', this was published by Ardcrú Books in Galway.Above: Undated postcard showing the entrance to St. Stephen's Green Park. Courtesy of Dublin City Library & Archive. [PCV04-90] Access over 40,000 images and postcards in the  Dublin City Libraries and Archive Digital Repositary .'Insurrection Memories 1916' is an intimate account of what Liam Ó Briain observed while participating in the Easter Rising. The book begins in 1914, with Ó Briain returning to Ireland after spending three years studying on the continent (mostly Germany). Joining the Irish Volunteers, Ó Briain also became a member of the Irish Republican Brotherhood the following year and went on to take part in the Easter Rising. As a member of F. Company of the First Battalion of the Volunteers, Ó Briain had been scheduled to join the Four Courts garrison under the command of Ned Daly. However, after getting waylaid carrying out messages for Eoin MacNeill on the morning of Easter Monday, he found himself instead spontaneously joining the Stephen’s Green garrison with his friend Harry Nicholls.During the Rising Ó Briain impressed Captain Bob de Couer of the Irish Citizen Army enough to be promoted to the rank of Corporal. Afterwards he was among those imprisoned in Wandsworth Common prison in London until late June, and Frongoch Camp in North Wales until Christmas 1916 (which he later described as ‘the best university’ he ever attended). Ó Briain stood as a Sinn Fein candidate in Armagh during the 1918 General Election and was imprisoned in Galway during the War of Independence. A native of Dublin, he would go on to serve as Professor of Romance Languages at University College Galway from 1918 to 1959.Above: Photograph of the College of Surgeons taken after the Easter Rising to show 'where Countess Markievicz surrendered'. Courtesy of Dublin City Library & Archive. [BOR F34-18]Blog Post by: Dr. James Curry, Historian in Residence, North West Area.
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10 September 2019

Anne Kennedy Photograph Collection

Anne Kennedy was a notable poet, writer, and photographer. She was born Anne Spaulding on 19 March 1935 in Los Angeles, California to Beatrice Clarke and Easton Spaulding. She attended the prestigious Marlborough School in Beverley Hills as Anne Hoag after her mother’s marriage to her second husband, Hallack Hoag.
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14 August 2017

The History of Social Housing in Inchicore

This photo gallery tells the history of social housing in Inchicore which is a suburb of Dublin, 5km west of the city centre. It traces the history of the area from tenements and one of Dublin Corporation’s first social housing schemes to the conversion of Richmond Barracks to Keogh Square then St Michael’s Estate and beyond.
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16 June 2017

All-Ireland Days: The Pursuit of Liam and Sam (1953-1984)

Summer comes around, the ground hardens, and the thoughts of many people turn to the playing fields of Clones, Thurles, Castlebar, and other venues throughout the land. All dream of a visit to Croke Park in September. These photos from the Fáilte Ireland Tourism Photographic Collection celebrate the lucky few who played in All-Ireland Finals in the second half of the twentieth century.
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29 May 2017

Dining in Dublin: 150 Years of Eating Out in Ireland’s Capital

What’s it like to eat in Dublin? As this image gallery shows, Dublin boasts a rich and varied food history that includes everything from haute cuisine to kosher pickles to a “Wan an’ Wan” by the Liffey. Some of the Dublin eateries in these pictures came in and out of existence within just a few years, making their stories harder to trace. Others evolved into cultural institutions, famous not only for their food but for their contribution to the vibrancy of Dublin life.
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10 May 2017

Memories from the past: Kildare in the 1950s

Kildare is a county that is steeped in rich culture from the horse racing fields of the Curragh to the beautiful canals that flow through villages and towns like Sallins and Athy.  The Grand Canal is an ideal place for activities like angling, boating, canoeing, sailing and rowing, the banks of the canal are very popular for walking and cycling. There are many former churches and castles dotted around Kildare that add to the scenery of this fine Irish county.St Patrick’s College Maynooth (below, click image to view larger version) was founded in 1795 as a seminary for the education of priests and by 1850 had become the largest seminary in the world.  The Bishops began to look for a site and it was desirable that the college be near Dublin.  This seminary was urgently needed because in the seventeenth and eighteenth centuries it had not been possible to educate Catholic priests in Ireland.  The chapel, built by public subscription, was initiated by Charles W. Russell, President from 1857 to 1880.  St Patrick’s College also has a university as part of the campus.  Thousands of students from the four corners of Ireland and abroad attend the university each year.Naas Courthouse (below, click image to view larger version) was constructed in 1807 to a design by Architect Richard Morrison, it was extended in 1860 when the four columned portico was positioned as it is today.  The Naas Courthouse was the original meeting place of the Poor Law Guardians who held their monthly meetings as did their successors Kildare County Council, from 1899 until the building was badly damaged by fire in the 1950s, which caused them to move to St. Mary’s.  The Criminal Courtroom was the setting for many films, due to its remarkable resemblance to the Old Bailey in London.Theobald Wolfe Tone one of the leaders of the 1798 Rebellion, was a leading figure in the United Irishmen Irish Independence movement and is regarded as the father of Irish Republicanism.  After his death he was buried at Bodenstown, Kildare in 1798 near to Sallins where his family had a farm (below, click image to view larger version).The Japanese Gardens (below, click image to view larger version) were devised by Colonel William Hall Walker, a wealthy Scotsman from a famous brewing family, the gardens were laid out by Japanese master horticulturist Tassa Eida and his son Minoru.  Their aim was, through trees, plants, flowers, lawns, rocks and water, to symbolise the ‘Life of Man’.  That plan was completed to perfection and Eida’s legacy is now admired by the 150,000 visitors who soak up the peace of the gardens every year.In conclusion Kildare is a great place for either a short visit or holiday and Kildare also has a good transport network. From my work scanning the photographs I noticed that bicycle and horse and cart were popular forms of transport in the 1950s. Click images below to see larger versions. . The Fáilte Ireland Tourism Photographic Collection was donated to Dublin City Library and Archive.  The black and white negatives and colour slides date from the 1930s until the 2000s, they give a significant amount of visual information about Kildare throughout the decades.About our Guest BloggerThis blog post was submitted by Deirdre Coleman while on work experience in Dublin City Library and Archive, October 2016. 
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2 November 2016

How to Scan and Digitize Glass Plate Photographs

Technology is an ever-changing form for the collection and communication of information. What happens, however, when the form of equipment is no longer the current practice of collecting information? What happens when the method is out dated and showing its age? At Dublin City Library and Archive, the staff work hard to preserve the documented history of Ireland even in its less prevalent forms. Numerous images were generously donated from Fáilte Ireland, the national tourism development authority.
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10 March 2016

Through the Looking Glass: Tourism in Dublin, 1950 - 1990

These photographs tell a part of the story of tourism in Dublin, offering an insight into how the city has been seen from both the inside and out. The timeline created by these images allows for an interesting comparison between then and now.
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7 March 2016

A Dublin Eye - The Stafford Image Collection

This image gallery shows a selection from the photographs and slides of the amateur photographer, William Stafford.  He took most of these pictures during the 1950s, 60s and 70s. The collection contains a great variety of images, from the imposing form of Queen Victoria in the days after she was moved from her plinth outside Leinster House, to the derelict courts and alleys of the mid-20th century city. There are images here of Nelson’s Pillar just after the explosion of March 1966, the old Queen's Theatre, of flower sellers and fishmongers and street urchins. Many of the places he photographed,  such as Hospital Lane in Islandbridge, have now disappeared or  have changed beyond recognition. There are also images of the family business; the Stafford brothers started out importing  coal and salt to their works on Ormond Quay, eventually concentrating on salt importation and packaging.The Stafford Collection material  was retrieved by Jeremy Wales of the City Architects Division, and Charles Duggan, Heritage Officer, Dublin City Council, during clearance works to facilitate the development of the ‘Dublin House’ project at 29-30 Fishamble Street, the former home of  William Stafford.  Now held in Dublin City Library and Archive, it includes postcards, business and family papers and a large collection of religious ephemera.  The siblings Angela and William appear to have been very religious, and one of their sisters, Cissie, became a Carmelite nun. One of the most interesting parts of the collection is the photographic element.  On retrieval, the slides and prints had been left for years in unsuitable conditions, and were in very poor condition.  Apart from a little work on the colour slides, we have not done any restoration work on the images as yet, so the viewer will get a real sense of the years that this material lay neglected in the dark and damp house in Fishamble Street.The main reason for publishing this gallery is to bring the images captured by William Stafford back into the light. We also hope that it will be seen by members of the extended Stafford family and that they will get back to us with more information on the fortunes of the family and especially on William, our photographer. Finally we are anxious to establish whether anyone has a claim to the material, and whether it can be made freely available to the people of Dublin, as we feel William Stafford would have liked.View the Stafford Image Gallery. 
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4 November 2015