From 1 May 2024, BorrowBox will offer library members access to newspapers and magazines as well as eBooks and audiobooks. The Libby and PressReader services will no longer be available to library members.
Music Lending, a smash hit at Pearse Street Library
Instrument Carousel - a partnership between Girls Rock Dublin and Dublin City Libraries was a smash hit with all the teenagers in Pearse Library on Culture Night last Friday. Instrument Carousel was an opportunity for participants to explore their musical potential.It marks the launch of the “GRD Gear Library”, the gear loan service designed for teenagers by Girls Rock Dublin & Dublin City Libraries. Sixteen teenagers took over the Library in a fun & loud experiment involving electric guitars, basses, synths, keyboards & drums. By moving through different rooms and engaging with GRD coaches, participants learned a song on each instrument, and finished by performing the song together.Girls Rock Dublin is a non-profit, volunteer-led organisation that builds girls’ self-esteem through music creation and performance. Providing workshops and technical training, GRD creates leadership opportunities, cultivates a supportive community of peers and mentors, and encourages social change and the development of life skills. From Culture Night any teenager who is a member of Dublin City Libraries can borrow their preferred instrument for three weeks. All you need is your library card!Teenagers will need the signature of a parent or guardian when completing the membership form. Their parent or guardian will need to bring photo I.D. and proof of address. Get access to great online resources, borrow books, DVDs and now musical instruments! There are no fines and you can use your card in any library in Ireland. Joining is easy. Call into Pearse Street library and borrow what you like. The GRD Gear Library is a collection of instruments, amplifiers and musical accessories that Girls Rock Dublin are now making available through Dublin City Libraries all year round. The collection is made up of donated gear from people in the community who value the work of Girls Rock Dublin and from purchases made from funding received with thanks to Reverb.com. GRD Gear Library also welcome donations of 'gear'.The library is an ongoing project, more pics from Culture Night 2019 on flickr. Dublin City Libraries are free,fun and easy to use. Find out more.
This Culture Night marks the beginning of a fantastic opportunity for teenagers to borrow a musical instrument from Dublin City Libraries. Dublin City Libraries and Girls Rock Dublin are proud to present “GRD Gear Library”, the gear loan service designed for teenagers under 18 and launching on Culture Night with “Instrument Carousel”. Girls Rock Dublin is a non-profit, volunteer-led organisation that builds girls’ self-esteem through music creation and performance. On 20 September at 6pm 16 teenagers will take over Pearse Street Library in a fun and loud experiment involving electric guitars, basses, synths, keyboards, ukulele, glockenspiel, pedal effects and drums. By moving through different rooms and engaging with GRD coaches, participants will learn a song on each instrument, and finish by performing the song together. This is open to teenagers of all genders. From Culture Night any teenager who is a member of Dublin City Libraries can borrow their preferred instrument for three weeks. All you need is your library card! . Dublin City Libraries are free, fun and easy to use. Joining is easy and completely free. Get access to great online resources, borrow books, DVDs and now musical instruments. There are no fines and you can use your card in any library in Ireland.The GRD Gear Library is a collection of instruments, amplifiers and musical accessories that Girls Rock Dublin use for their summer camp and events and are now making available throughout Dublin City Libraries all year round. Teenagers will need the signature of a parent or guardian when completing the membership form. Their parent or guardian will need to bring photo I.D. and proof of address.Take a look at the instrument gallery, then call into Pearse Street library and borrow what you need! Email Pearse Street Library to make a booking.The collection is made up of donated instruments from people in the community who value the work of Girls Rock Dublin and purchases made through funding from Reverb.com.It's is an ongoing project so donations are welcome!
It is impossible to say with any degree of certainty how many Irish took part in Operation Overlord, the Allied invasion of Normandy on 6 June, 1944. A precise figure for Irish enlistments in the British forces for the war as a whole is not available and estimates vary between 70–120,000 men and women.
In 1921, the Leinster Football Association separated from the parent body, the Irish Football Association (IFA), and subsequently formed the Football Association of Ireland (FAI). Soccer had been governed on an all-Ireland basis for 40 years beforehand. The split that happened in 1921 remains to this day, unlike most sports in Ireland that are still governed on a 32-county basis. Although football was divided the same year that Ireland was divided politically by the partition of the country, the primary reason for the split was an internal power struggle between Belfast and Dublin. The IFA, headquartered in Belfast, was believed by the football community in the south to be biased towards northern based teams. Most players selected for the Irish international team were from Ulster-based teams.Of the 48 international matches held in Ireland before the split, only six were held in Dublin, all the rest were hosted in Belfast. Most members of the IFA Council and its sub-committees were from the north also, and the allocation of funding favoured Ulster clubs over others.Left, an image of the Shelbourne team from 1914. The catalyst that led to the split involved one of Dublin’s oldest clubs, Shelbourne. After Shelbourne had drawn against Lurgan-club Glenavon in an Irish Cup semi-final tie in Belfast in 1921, it was almost universally believed that the replay would be held in Dublin.The IFA Protests and Appeals Committee ruled it was too unsafe for matches to be played in Dublin due to the prevailing conditions caused by the War of Independence, and Shelbourne was ordered back to Belfast for the replay.The club refused to do so and was removed from the competition.The action was roundly condemned by the Leinster Football Association and all associated with the game in Dublin. It was the spark that led to the division months later. Many attempts were made from 1921 to 1932 to re-unify the game in Dublin, all failing, leaving soccer in Ireland today divided, as it is politically, north and south.Blog post by: Cormac Moore, Historian in Residence, North Central Area.
Idaho wins the 2019 International DUBLIN Literary Award
American author Emily Ruskovich has won the 2019 International DUBLIN Literary Award for her novel Idaho. Set in the Idaho Pandandle it tells the sory of the impact of an shocking act of violence on a family. The winning novel was chosen from a total of 141 titles, nominated by libraries in 115 cities across 41 countries. Idaho was nominated by the public library in Brugge, Belgium.The Award is organised and sponsored by Dublin City Council and at €100,000 is the world’s largest prize for a single novel published in English. Emily Ruskovich is the fourth American author to win the prize in its 24-year history.Uniquely, the Award receives its nominations from public libraries in cities around the globe and recognises both writers and translators. The winner was announced at a ceremony in Dublin's Mansion House today.Emily Ruskovich grew up in the Idaho Panhandle, on Hoodoo Mountain. Her fiction has appeared in Zoetrope, One Story and the Virginia Quarterly Review. A winner of a 2015 O. Henry Award and a graduate of the Iowa Writer’s Workshop, she now teaches creative writing at the University of Colorado, Denver. Idaho is her first novel. Speaking at the winner announcement, Lord Mayor & Patron of the remarked; ‘The International DUBLIN Literary Award is a great Dublin success and a great international success - and our thanks go to all who are involved in making the Award work – writers, translators, publishers, librarians, and the administrative staff of the City Council.’The 2019 judging panel, which includes Irish author Éilís Ní Dhuibhne, commented:‘At the heart of Emily Ruskovich’s haunting debut novel is the inexplicable. A young couple, Jenny and Wade, move from the prairies to the utter loneliness and unexpected isolation of the Northern Idaho mountains where they carelessly bought a piece of wooded land on a steep mountainside. As yet, they know nothing about the winter that will entrap them: masses of snow, no plow, no neighbours, the next settlement eight miles away. This is not an idyll. Years go by. They build a house with their own hands; two children are born – May and June. Then, all of a sudden, in a brutal flash, with no warning, their happiness and their love are destroyed forever.Ruskovich’s masterful achievement is to narrate with consummate skill the complex series of events covering a time-span of more than fifty years. Empathy and love stand next to cruelty and crime. Individual guilt, trauma and pain are looming as large as eventual forgiveness and the ability to live in half-knowledge. Ultimately, Idaho evolves into a masterpiece on the redeeming and regenerative potential of music, poetry, literature and art.’ The other judges were Ge Yan, Evie Wyld, Martin Middeke and Hans-Christian Oeser. The non-voting chair was Judge Eugene Sullivan.Copies of the winner, the shortlist and the full list of novels nominated for the 2019 award available to borrow from Dublin Public libraries at https://dcpla.ie/Idaho
History Document of the Month: Lepracaun Cartoon Collection
Britain faced similar issues ruling Ireland and India: both had to be held to maintain British international credibility and independence movements in both were driven in large part by religion. Irish nationalists drew parallels between their own struggle and that in India, particularly the brutality of colonialism. The above below, from the satirical newspaper, The Lepracaun, compares British rule in the two countries: executions and burning of homesteads in Ireland, while India saw the brutal practice of execution by cannon, particularly associated with the British suppression of the rebellion of 1857. The cartoon is pointing out the dark side of British rule: the ‘Upas Tree’ of the title refers to a highly poisonous tree common to Asia, while the figure of John Bull piously reading the common book of prayer while surrounded by bones, death and destruction is an unsubtle reference to the hypocrisy of evangelical imperialism. History Document of the MonthEvery month the Dublin City Council Historians in Residence will be highlighting a document from Dublin City Public Libraries and Archives Digital Repository. An image of the selected document will be on display in branch libraries during the month.Historians in Residence are available to meet groups and schools, give talks, walks etc, run history book clubs and advise on historical research.
This year marks the centenary of the birth of Séamus Ennis, the renowned musician, singer, folklorist and broadcaster who left behind, to quote from one obituary, “a priceless heritage of Irish tradition to the nation”. Inspired by on-going centenary events taking place across Dublin and at the Séamus Ennis Arts Centre, this blog briefly examines Ennis’s final years and death. (The bronze statue of Séamus Ennis which was unveiled in Naul on 24th October 2001. Courtesy of the Séamus Ennis Arts Centre)In 1975 Ennis settled in The Naul to live out his remaining years on land which had once belonged to his grandparents. A countryman at heart, he felt a strong attachment for the area and christened the plot where he lived in a caravan ‘Easter Snow’ (after the slow air of that name which he was fond of playing). He played an important role in helping to revive interest in uilleann piping during the twentieth century. While he continued to perform across Ireland and sometimes further afield, Ennis’s health gradually deteriorated during the period and he underwent an operation for cancer of the throat. An able cook who could deal expertly with game, as his health continued failing it was noticed that he began to lose interest in food.On the afternoon of Tuesday, 5th October 1982, Ennis passed away at home during his sleep. He was 63 years old. No inquest was held into the death, with the post-mortem examination taking place the following day. On Thursday evening Ennis’s remains were then brought from St. Vincent’s Hospital, Elm Park, to the Church of the Nativity in Naul, with friends and neighbours standing in the rain for almost an hour to greet the cortege, which had been delayed in heavy traffic.The following morning Ennis was buried in the adjoining Naul Cemetery. Leading traditional musicians had crowded inside the tiny Naul church alongside neighbours for the funeral Mass performed by local curate Father Malachy J. Mahon, who also officiated at the graveside ceremony. After the recital of a decade of the Rosary in Irish, broadcaster Séan Mac Réamoinn delivered a bilingual funeral oration in which he spoke of Ennis’s sincerity, prowess as a piper, and fidelity to north County Dublin and Ireland. This was followed by a lament – “Cois Abhainn na Séad” – played by Liam O’Flynn (Liam Óg Ó Floinn) on a set of uilleann pipes given to him by his deceased friend and mentor. (An uilleann piper at a Dublin Street Carnival in College Green, 1984. Available at;http://digital.libraries.dublincity.ie/vital/access/manager/Repository/vital:42327)Since his death efforts have been made to keep Ennis’s memory alive. These include the renaming of a section of Jamestown Road (Finglas) in his honour in 1994, and unveiling of a bronze statue of Ennis with uilleann pipes in hand beside the newly opened Séamus Ennis Cultural Centre (now the Séamus Ennis Arts Centre) in Naul seven years later. On Friday 3rd May, a new Dublin City Council ‘Séamus Ennis Commemorative Plaque’ will be unveiled in Finglas at the site of Burgess Galvin & Co. Ltd., Jamestown Road.Dr. James Curry, Historian in Residence, North West Area.Dublin City Council Historians in Residence are available to meet groups and schools, give talks, walks etc, run history book clubs and advise on historical research.
This photograph (larger image below) from the Dublin City Library and Archive shows groups of women with their babies and young children outside St Monica’s Babies Club in St. Augustine Street, close to John’s Lane Church in the heart of Dublin’s Liberties. This club, - one of about 170 set up throughout Ireland - opened in 1909 and aimed to educate mothers in the overall care of their infants by holding classes and appropriate lecture series on the premises.(St Monica's Baby Club)St. Monica’s Babies Club had been established by the Women’s National Health Association (WHNA). This group was set up in Ireland in 1907 as part of the Irish International Exhibition, by Lady Aberdeen, wife of the Lord-Lieutenant who had a life-long interest in social and healthcare issues. The WNHA focused on finding ways to eradicate tuberculosis within the general population, - a primary cause of early deaths in the adult population - by coordinating pasteurised milk distribution, and opening a range of healthcare centres with the support of government. It also tried to address the social conditions and issues surrounding the extremely high infant mortality rates that existed in Ireland at the time.Catherine Scuffil, Historian in Residence, Dublin South Central.Dublin City Council Historians in Residence are available to meet groups and schools, give talks, walks etc, run history book clubs and advise on historical research.
This week I have had the great pleasure of visiting Massachusetts and presenting a paper at the annual national meeting of the American Conference for Irish Studies held in Boston. It was my second time attending such a gathering, having also presented a paper on Dublin poet Maeve Cavanagh MacDowell two years ago, when ACIS met in Kansas City, Missouri. This time around I spoke about the life of Dora Maguire, another woman who happened to be profiled in R. M. Fox’s 1935 book of essays Rebel Irishwomen.Whereas the likes of Maud Gonne and Countess Markievicz became legends in their own lifetimes, Dora Maguire (1889-1931) was perhaps the most obscure of Fox’s dozen ‘Rebel Irishwomen’. A friend of the author, she died aged forty-one in February 1931 after years of ill-health. During my paper I spoke about Maguire’s upbringing in England and the north of Ireland, time spent in Blackburn and London during the First World War (when she worked as a nurse and developed suppressed diphtheria and tuberculosis), decision to move to Ireland around the time of the War of Independence, and employment at St. Ultan’s Children’s Hospital in Ranelagh during the 1920s.I then focused at length on her arrest in 1925 over an incident at the Princess Cinema in Rathmines. Evolving into an ardent republican during her adulthood, Maguire was indignant at the time about the screening across Dublin of short films concerning the Prince of Wales’ recent dominion tour of South Africa. Entering the “Prinner” – as the Princess Cinema was known to locals – on 6th August 1925 with an inkpot hidden on her person, Maguire stood up and hurled her makeshift missile over the heads of the theatre orchestra as soon as the offending picture was shown, causing considerable damage to the screen and generating newspaper headlines.Surviving foyer plaque from the Princess Cinema, the scene of Dora Maguire's arrest in August 1925. Known locally as "The Prinner", the cinema closed its doors in 1960 and was demolished in 1982 (Photograph courtesy of Carol Dunne, Dublin City Libraries).This incident is the focus of The Spirit of Dora Maguire, an historical comic strip by Dublin artist Aidan J Collins. Some artwork from this creation, which came about in 2018 following a talk I gave in Dublin on Maguire’s life the previous year, can be seen below:Blueprint still from an animated video by Aidan J Collins. This is based on one of the panels from his 2018 historical comic strip The Spirit of Dora Maguire (Courtesy of Aidan J Collins).On Monday 20th May 2019 I will be teaming up with Maeve Casserly (Historian in Residence, South East Area) for a joint talk about Dora Maguire and St. Ultan’s Children’s Hospital at Rathmines Public Library. The event starts at 6:30pm and all are welcome to attend.Dr. James Curry, Historian in Residence, North West Area.Dublin City Council Historians in Residence are available to meet groups and schools, give talks, walks etc, run history book clubs and advise on historical research.
The Soloheadbeg Ambush in January 1919 did not lead to a wide scale conflict immediately. For much of 1919, the Irish Volunteers embarked on a mainly defensive campaign, primarily searching for arms. As a result, some skirmishes broke out leading to some deaths.Isolated deaths of RIC men occurred in Limerick, Clare, Mayo and Tipperary. The shortage of arms was the main problem posed. Gun shops and private homes were raided for arms. In March 1919, all such premises were raided in the North-East of Dublin city.The most successful arms raid throughout the whole war occurred at Collinstown Aerodrome, present day site of Dublin Airport, on 20th March 1919. As the Aerodrome was heavily guarded by the British Military, according to Patrick Houlihan, a Volunteer and employee at the Aerodrome, the local Volunteers had to submit plans to the Irish Volunteers General Headquarters (GHQ) for approval. Once it was granted, two guard dogs at the Aerodrome were poisoned the afternoon before the raid, 19th March, calculated to kill them some hours later, to prevent an alarm being raised. That night the raiding party, numbering about 25, were dressed in khaki and masks, supplied by GHQ. Some volunteers engaged in disarming and tying up the sentries, 20 in number, whilst others collected all the arms and ammunition they could. The haul was transported away in two cars. To prevent a chase, over 20 cars in the military garage were demolished with sledgehammers. Acting in almost total silence to capture the sentries and sticking clearly to their well thought out plans, was key to the raid’s success.75 rifles and 5,000 rounds of ammunition were secured. There were no casualties nor prisoners taken. It was the largest loss of weapons by the British army from a single operation throughout the whole conflict. Many of the arms captured that day ended up in the IRA arms dump at the Naul in North Dublin. The British decided to punish the locals, a trend they would continue throughout the war, a foolish move which brought more and more support for the Volunteers. All 800 workers were sacked on the Collinstown site and replaced by military personnel. It was an act of collective punishment, recognised and resented as such. Cormac Moore, Historian in Residence, Dublin City Library and Archive.Dublin City Council Historians in Residence are available to meet groups and schools, give talks, walks etc, run history book clubs and advise on historical research.